商品简介 By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Shortlisted for the Man Booker Prize
“A novel as accomplished as anything being written.”—Newsweek
Number9Dream is the international literary sensation from a writer with astonishing range and imaginative energy—an intoxicating ride through Tokyo’s dark underworlds and the even more mysterious landscapes of our collective dreams.
David Mitchell follows his eerily precocious, globe-striding first novel, Ghostwritten, with a work that is in its way even more ambitious. In outward form, Number9Dream is a Dickensian coming-of-age journey: Young dreamer Eiji Miyake, from remote rural Japan, thrust out on his own by his sister’s death and his mother’s breakdown, comes to Tokyo in pursuit of the father who abandoned him. Stumbling around this strange, awesome city, he trips over and crosses—through a hidden destiny or just monstrously bad luck—a number of its secret power centers. Suddenly, the riddle of his father’s identity becomes just one of the increasingly urgent questions Eiji must answer. Why is the line between the world of his experiences and the world of his dreams so blurry? Why do so many horrible things keep happening to him? What is it about the number 9? To answer these questions, and ultimately to come to terms with his inheritance, Eiji must somehow acquire an insight into the workings of history and fate that would be rare in anyone, much less in a boy from out of town with a price on his head and less than the cost of a Beatles disc to his name.
Praise for Number9Dream
“Delirious—a grand blur of overwhelming sensation.”—Entertainment Weekly
“To call Mitchell’s book a simple quest novel . . is like calling Don DeLillo’s Underworld the story of a missing baseball.”—The New York Times Book Review
“Number9Dream, with its propulsive energy, its Joycean eruption of language and playfulness, represents further confirmation that David Mitchell should be counted among the top young novelists working today.”—San Francisco Chronicle
“Mitchell’s new novel has been described as a cross between Don DeLillo and William Gibson, and although that’s a perfectly serviceable cocktail-party formula, it doesn’t do justice to this odd, fitfully compelling work.”—The New Yorker
“Leaping with ease from surrealist fables to a teenage coming-of-age story and then spinning back to Yakuza gangster battles and World War II–era kamikaze diaries, Mitchell is an aerial freestyle ski-jumper of fiction. Somehow, after performing feats of literary gymnastics, he manages to stick the landing.”—The Seattle Post-Intelligencer 作者:纽约时报畅销书《骨头钟》和云图作者|入围曼布克奖
作者简介 David Mitchell is the award-winning and bestselling author of The Bone Clocks, The Thousand Autumns of Jacob de Zoet, Black Swan Green, Cloud Atlas, Number9Dream, and Ghostwritten. Twice shortlisted for the Man Booker Prize, Mitchell was named one of the 100 most influential people in the world by Time in 2007. With KA Yoshida, Mitchell translated from the Japanese the internationally bestselling memoir The Reason I Jump. He lives in Ireland with his wife and two children.
精彩内容 one
PanOpticon
"We are both busy people, so let's cut the small talk. You already know my name, or at least you knew it, once upon a time. Eiji Miyake. Yes, Ms. Kato, that Eiji Miyake. Why am I here in Tokyo? Think about it. I am here to find out who my father is. And why you, Ms. Kato? You know his name and you know his address. I never threaten anyone. But I am telling you that you are going to give me the information I want. Right now."
Or something like that. A galaxy of cream unribbons in my coffee cup, and the background chatter pulls into focus. My very first morning in Tokyo, and already I am getting ahead of myself. Jupiter Cafe sloshes with lunch-hour laughter, Friday plottings, clinking saucers. Drones bark into cell phones, she-drones hitch up sagging voices to sound more feminine. Steam bears coffee, seafood rolls, detergent. I have a fine across-the-street view of PanOpticon's main entrance. Quite a sight, this zirconium gothic skyscraper. Its upper floors are hidden by cloud, and so is the real Akiko Kato. City weather is a mystery. Under its tight lid, Tokyo swelters at 34°C in 86 percent humidity--a big panasonic display says so. Tokyo is too close up to see, sometimes. There are no distances and everything is above your head--dentists, kindergartens, dance studios. Even the roads and walkways are up on murky stilts. An evil-twin Venice with all the water drained away. Reflected airplanes climb over mirrored buildings. I always thought Kagoshima was huge, but you could lose it down a single side alley in Shinjuku. I light a cigarette--I am smoking Kools today, the brand chosen by a biker with hair dyed blackcurrant in the line ahead of me--and watch the traffic and passersby on the intersection between Omekaido Avenue and Kita Street. City office drones, lip-pierced hairdressers, midday drunks. Nobody is standing still. Rivers, snowstorms, traffic, bytes, generations, a thousand faces per minute. Back on Yakushima you might get a thousand minutes per face. Crowds make me thoughtful. All these people have boxes of memories labeled "Father," "Dad," "Pa." Whatever. Photogenic pix, shots in poor light, scary figures, tender poses, fuzzy angles, scratched negatives--it makes no difference. Unlike me, they know who it was who ushered them into the world. Crowds make me too thoughtful.
Ms. Kato! Come down to Jupiter Cafe! It would be so much simpler. You drop by for a seafood roll and a coffee; I recognize you instantly, of course, introduce myself, admit coyly that I was hoping to bump into you here; we discuss the matter at hand--we are two grown-ups now--and you will see that natural justice is on my side. I sigh aloud, and sense my neighbor hide him-or-herself deeper behind his-or-her barrier of newspaper. How do you smuggle daydreams into reality? My careful plan seems far-fetched. A building as vast as PanOpticon surely has many other exits. It must have its own restaurants, to spare its employees the hassle of descending to ground level. Who says you even eat lunch, Ms. Kato? Maybe your slaves bring you a human heart to tide you over until suppertime. I entomb my Kool in the innards of its ancestors and resolve to end my stakeout when I finish this coffee. Hear that, Akiko Kato? I am coming in to get you.
Three waitresses staff Jupiter Cafe this lunchtime. Waitress One--the boss--is a brittle imperial dowager who poisoned her husband. Waitress Two, a corn-on-the-cob face with a braying donkey voice, is Waitress One thirty years ago. Waitress Three is turned away right now, but her hair is up and I can see she has the most perfect neck on Earth. I mean it. A syndicate of love poets could not describe how smooth and curved this neck is. Soft as a peeled egg. Dowager is telling Donkey--and half Jupiter Cafe by default--about her hairdresser's latest failed marriage. "When his wives don't measure up to his fantasies, that's when he tosses them overboard." She has an industrial-diamond voice. The waitress with the perfect neck is serving a life sentence at the sink with a scrubber and sponge in lieu of a ball and chain. The atmosphere is hostile in here. Are Dowager and Donkey cold-shouldering her, or is she cold-shouldering them?
Hot fog is now down to the ninth story of PanOpticon. I decide to calculate the number of days I have lived. It comes to 7,286. I add four leap years. The clock says 12:51. Suddenly most of the drones in the cafe get to their feet and flock away. Are they afraid that if one o'clock finds them anywhere except their fluorescent-lit cubicles, their companies will have an ideal excuse to Restructure them? I watch lots of them enter PanOpticon, and toy with the idea of coming back tomorrow and stealing an ID tag. No. Simple is good. I strike PanOpticon today. At the stroke of one o'clock. My coffee cup stands empty in its moat of slops. I admit I am nervous. Nervous is cool. A recruitment officer for the Self-Defense Forces came to my
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