消息首页搜索举报

英文原版 Basic Principles in Pianoforte Playing 钢琴演奏的基本原则 32开 14*21cm 英文版进口英语原版书籍

65 65 九五品

库存9件

广东广州

认证卖家担保交易快速发货售后保障

作者Lhevinne, Josef

出版社Dover Publications

ISBN9780486228204

出版时间1972-06

装帧平装

定价65元

货号YB-51991

上书时间2024-03-05

诚研图书专营店

已实名已认证进店收藏店铺

在售商品暂无
平均发货时间 7小时
好评率暂无

最新上架

英文原版 Leeds Then and Now 利兹今昔英文版进口英语原版书籍 ¥119.00

英文原版 Artemis Fowl and the Atlantis Complex阿特米斯奇幻历险7迷失亚特兰蒂斯英文版进口英语原版书籍 ¥48.00

英文原版 Boogie Bear David Walliams布吉熊大卫威廉姆斯幽默绘本大开本英文版进口英语原版书籍 ¥48.00

英文原版 Choose Llamas 骆驼的选择英文版进口英语原版书籍 ¥48.00

英文原版 Peter Zumthor: Therme Vals 彼得·卒姆托瑞士瓦尔斯温泉浴场精装英文版进口英语原版书籍 ¥658.00

英文原版 The Call of the Wild 野性的呼唤 Puffin自然经典系列英文版进口英语原版书籍 ¥69.00

英文原版 Harry Potter and the Prisoner of Azkaban – Slytherin Edition 哈利波特3：哈利波特与阿兹卡班的囚徒精装蓝思880L V级 DRA50 3-7年级英文版进口英语原版书籍 ¥97.00

英文原版 In Miniature 把世界装进火柴盒：微缩的历史西蒙•加菲尔德英文版进口英语原版书籍 ¥86.00

英文原版 The Magic Hat Shop 魔法帽子店童话故事绘本 Sonja Wimmer 英文版进口英语原版书籍 ¥95.00

商品详情

品相描述：九五品

商品描述: 内容摘要
This little book, written at the height of his career by Josef Lhevinne, the inward poet of the piano, is a clear statement of principles based on his lifelong experience in performance and teaching. Lhevinne was, with Rachmaninoff, Schnabel, and Hoffman, one of the great modern masters, and was the first artist invited to teach at the newly formed Julliard Graduate School of Music. Technique, through essential, must be subordinate to musical understanding. Complete knowledge of scales, apprehended not mechanically but musically; understanding of the uses of rests and silence, which Mozart considered the greatest effect in music; a feeling for rhythm and training of the ear; these are the basic elements of a thorough grounding in musicianship and are accordingly emphasized in the opening chapters. The heart of the book is devoted to the attainment of a beautiful tone. Anyone who has heard Lhevinne play or has listened to one of his recordings will know how great were his achievements in that area. The secret lay, at least in part, in the technique he called the arm floating in air, and in the use of the wrists as natural shock absorbers. The achievement of varieties of tone, of the singing, ringing tone, of brilliancy, of delicacy, and of power are all explained in terms of a careful analysis of the ways in which the fingers, hand, wrist, arm, and indeed the whole body function in striking the keys. There are further remarks about how to get a clear staccato and an unblurred legato, about the dangers of undue emphasis on memorization and the need for variety in practicing, and special comments on the use of the pedal, which should be employed with as much precision as the keys. Throughout, specific musical examples are presented as illustrations. The author draws not only upon his own experiences and methods, but upon the examples of Anton Rubenstein and of his teacher, Safonoff, for this remarkably lucid and concise formulation of basic principles.