目录 Chapter One Tibetan Literature in the Age of Oral Tradition Ⅰ. Natural and Cultural Literature Environment in the Age of Oral Tradition Ⅱ. Oral Tradition — the Cornerstone of Oral Literature Ⅲ. Three Treasures in Tibetan Literature — Sgrung, Ldevu and Bon Ⅳ. Philosophical Expression of Tibetan Oral Literature: Proverbs Chapter Two The Agglomeration of Tibetan Oral Tradition: Gesar Ⅰ. Introduction Ⅱ. Origins: So and Cultural Context Ⅲ. Singers of Fairy Tales Ⅳ. Text and Its Evolution Ⅴ. Conservation and Preservation Chapter Three Basic Types and Texts of Written Literature (Ⅰ) Ⅰ. Tibetan as Medium for Written Literature Ⅱ. The Translation of Buddhist Scriptures as the Beginning of Written Literature Ⅲ. Buddhist Literature Ⅳ. Historical Literature Chapter Four Basic Types and Texts of Written Literature (Ⅱ) Ⅰ. Biographical Literature Ⅱ. Terma Literature Ⅲ. Poetry Ⅳ. Novels Ⅴ. The Collection of Letters Chapter Five The Literature Genres between Oral Language and Written Language Ⅰ. Religious Song Ⅱ. Maxim Ⅲ. Persuasion Ⅳ. Tibetan Opera Acknowledgments
精彩内容 Chapter OneTibetan Literature in the Age of Oral TraditionⅠ. Natural and Cultural Literature Environment in the Ageof Oral TraditionⅡ. Oral Tradition — the Cornerstone of Oral LiteratureⅢ. Three Treasures in Tibetan Literature — Sgrung, Ldevuand BonⅣ. Philosophical Expression of Tibetan Oral Literature:ProverbsChapter TwoThe Agglomeration of Tibetan Oral Tradition: GesarⅠ. IntroductionⅡ. Origins: So and Cultural ContextⅢ. Singers of Fairy TalesⅣ. Text and Its EvolutionⅤ. Conservation and PreservationChapter ThreeBasic Types and Texts of Written Literature (Ⅰ)Ⅰ. Tibetan as Medium for Written LiteratureⅡ. The Translation of Buddhist Scriptures as the Beginningof Written Literature Ⅲ. Buddhist LiteratureⅣ. Historical LiteratureChapter FourBasic Types and Texts of Written Literature (Ⅱ)Ⅰ. Biographical LiteratureⅡ. Terma LiteratureⅢ. PoetryⅣ. NovelsⅤ. The Collection of LettersChapter FiveThe Literature Genres between Oral Languageand Written LanguageⅠ. Religious SongⅡ. MaximⅢ. PersuasionⅣ. Tibetan OperaAcknowledgments
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