前言
【书摘与插画】
商品简介
《家当》主题灵感来源于国内知名摄影师黄庆军。黄庆军曾用10年时间行走中国各地,说服人们搬出自己的全部家当并与之合影,透过镜头记录一幅幅现实生活画面,引发人们关于家当、生活方式、社会变迁的一连串思考。
作者简介
黄庆军1971年9月出生于黑龙江省大庆市。1999年1月加入中国摄影家协会。现为职业摄影师。《钢厂运煤人》获联合国环境署1994-1995世界环境摄影比赛佳作奖,其作品在40多个国家展出。
目录
Preface The Essence of the Society: a Commentary on Photo Collection
Chapter 1 A Family's Possessions
Chapter 2 Family's Possessions Bought Online
Chapter 3 Family's Possessions of Post-90s Generation
Chapter 4 Live Streamers'Possessions
Epilogue Huang Qingjun: Recording Stories Behind \"A Family's Possessions\"
The Curriculum Vitae of Huang Qingjun
内容摘要
《家当》主题灵感来源于国内知名摄影师黄庆军。黄庆军曾用10年时间行走中国各地,说服人们搬出自己的全部家当并与之合影,透过镜头记录一幅幅现实生活画面,引发人们关于家当、生活方式、社会变迁的一连串思考。
主编推荐
《家当》系列作品一经亮相便获得了国际上的诸多关注和赞誉,这其中更是包括了摄影大师罗伯特·弗兰,他给出了极高的赞誉:“这些作品,帮我打开了一扇看中国的窗。”
【内容简介】
精彩内容
SeeingSocietythroughtheLensofArt-OnthePhotographicSeriesofFamilyStuffbyHuangQingjunByWangChunchenTheChinesesocietyacceleratesitsstructuraltransformationsinceitinitiatedtheprogressofmodernization.Undercertaincircumstances,thistransformationcanbeverycomplete.Suchahistoricalcontextprovidesartwithgreatopportunitiesandchallenges.Itdemandsnotonlythebefittedartformbutalsotheartist’sresponseandobservationinthefaceofthecontextchange.Thetruelifecallsforathoughtfulart.Groundedonsuchatransitionalera,thephotographicseriesFamilyStuffbyHuangQingjunfocusonfamilymaterialsinourdailylives,aimingtoreflectthehumannatureembeddedinthem.Thus,FamilyStuffbecomesaprospectwithinwhichthelifeconditionofChinesepeopleisexamined.ImagesfromthisseriesareatoncepictorialtextsthatinterpretthelifepresenceinChinesesocietyandademonstrationofthespecialvalueandfunctionofthephotographyasart.Asanartform,photographydoesnotpassivelyrecordthereality.Rather,itdemonstratesartist’swillingnesstojoinintherealworld.TheFamilyStaffperfectlyshowssuchaspecialfunctionofimages.Tocompletethisphotographicseries,HuangQingjunvisitedanumberofareasandregionsinChina,selectingthemosttypicalresidentialimagesthatintunewiththecurrentlifeconditioninChina.ThesephotographsarereflectingtheChinesesociety,bevisiblebeforetheeyes,showingvariouskindsofcharacteristicsandmeanings.TheprospectconstructedbyFamilyStuffrevealstheinteriorstructureofthepresentlifeconditionofChinesesociety.Itbringsouttheoriginalfamilylifeandinterpretsthelifephilosophywithtangiblematerialsundercontemporarysocialcontext.WhileactivelylookingforthelifeconditioninChina,theartistestablishesarelationshipbetweentherealityandtheimagination:theactualdomesticspaceispresentedintheopenair,bringingtolightChina’shomeconditionandstraightforwardlypenetratingtheviewers’vision.TheseseeminglyparadoxicalscenesareinfactwhathavebeenhiddenduringthetransformationofChinesesociety.Withoutthefamilystuffthatisclearlyshownbytheartist,wewouldhaveignoredthematerialcontentofChinesefamilies,orthinklittleaboutit.Thus,theartistusesphotographicimagestointerferewithourconsciousness.EverypartoftheFamilyStuffisatestamenttothefaithandconditionoflifeincontemporaryChina,anevidenceofthosethathavechangedandremainedduringthemodernization.Betweentherealityandtheimagination,FamilyStufffindsthelogicofourexistencethroughvisualinspirations,confirmingtheparticularpresenceofChinaunderthegrandglobalchange.Today,torecordandexposethechangesofrealitybyimagesisnotonlythetaskofthetime,butalsothemissionoftheresponsibleartists.AnyimagethatrecordtheChinesecurrentsituation,aslongasexquisiteandreal,mayleaveafileforthefuture.Whenlatergenerationsarelookingback,theydohaveadirectfeel;artisttakesusthroughthehistory,readingtherealityofthatmonth,thatyear.Wecansayitismoreandmoreimportanttoreflectthesocietybyusingimages.
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