摄影之后：拍照的艺术家

图书标准信息

• 作者 [英]罗伯特·肖 著；张杰 译
• 出版社 北京美术摄影出版社
• 出版时间 2016-09
• 版次 1
• ISBN 9787805019345
• 定价 168.00元
• 装帧 精装
• 开本 16开
• 纸张 铜版纸
• 页数 264页
• 字数 434千字
• 正文语种 简体中文
• 原版书名 Post-photography:The artist with a camera

【内容简介】

  美国视觉传播学者米契尔(WalliamMitchell)在1991年提出“后摄影时代”(Post-Photography)这一个名词，用以形容摄影自从进入了数码时代后已出现了根本性的改变。在如今这个“一切皆有可能”、“万事已难创新”的数字时代，艺术家们的确还在使用照相机，但是仅仅拍照是远远不够的了。

 

那么，摄影之后是什么？

 

  这本《摄影之后：拍照的艺术家》便试图通过深入探究图像制造中令人兴奋的新语言来回答这个问题。

 

  本书分为五个部分，分别是“借鉴与创新”“现实的层列”“整个世界都是舞台”“手与眼”“后现代新闻摄影”，所介绍的创作观念与技法来自21世纪52位具有吸引力、具有创新性的国际艺术摄影师。

 

【作者简介】

罗伯特·肖（RobertShore），英国著名媒体人，主要从事文化和媒体领域的创作，长期为英国《都市报》《卫报》和《星期日泰晤士报》撰稿。同时，他还是《艺术评论》杂志的编辑。

 

【目录】

序言：摄影之后是……····07

 

1

 

借鉴与创新····················13

 

什卡·汉纳································14

 

约阿希姆·施密德··························22

 

伊娃·史妲朗································28

 

妮可·贝勒···································34

 

戴维·托马斯·史密斯····················38

 

乔尼·布里格斯·····························42

 

诺埃·森达斯································46

 

茱莉亚·博里索娃·························50

 

布伦丹·尤哈斯·····························54

 

安德列·施密特·····························58

 

克莱蒙特·瓦拉·····························62

 

 

2

 

现实的层列····················67

 

瓦莱里·贝琳································68

 

李在镕·········································72

 

乔纳森·刘易斯·····························76

 

苏菲·西野···································80

 

奥利沃·巴尔比埃利·······················84

 

杨泳梁········································88

 

丹·霍兹沃斯································92

 

 

3

 

整个世界都是舞台···········99

 

劳伦斯·德梅松·····························100

 

原久路·········································106

 

莎迪·伽迪里安·····························110

 

莱昂斯·拉斐尔·阿波德鲁··············114

 

克里斯蒂·李·罗杰·······················118

 

安吉洛·穆斯克·····························122

 

奥拉夫·布鲁宁·····························126

 

斯佳丽·霍夫特·格拉芙兰··············132

 

鲁内·古纳佑森·····························136

 

埃里克·约翰逊·····························140

 

若昂·卡斯蒂略·····························144

 

约翰·克文斯基·····························150

 

迦勒·哈兰德································154

 

亚历杭德罗·吉加洛·······················158

 

丹尼尔·埃斯肯纳茨·······················162

 

伯恩德纳特·斯米尔德····················166

 

 

4

 

手与眼···························171

 

阿里奇·布雷恩·····························172

 

陈农············································178

 

查尔斯·格洛戈·····························182

 

达夫娜·塔尔默尔··························186

 

约尔玛·普拉能·····························190

 

朱莉·科伯恩································196

 

托尔斯滕·瓦尔穆斯·······················200

 

克洛伊·塞尔斯·····························204

 

斯蒂菲·克伦茨·····························208

 

布伦丹·弗勒································212

 

 

5

 

后现代新闻摄影···············217

 

迈克尔·沃尔夫·····························218

 

杨怡············································226

 

玛蒂娜·巴奇伽鲁普·······················230

 

克里斯蒂娜·德·米德尔·················234

 

理查德·莫斯································238

 

本雅明·罗伊································244

 

戴维·伯金···································250

 

亚当·布鲁姆伯格、奥利佛·查纳林···256