心田的音乐——翻译家黎翠珍的英译世界（外国语言文化传播研究丛书）

图书标准信息

• 作者 张旭 著
• 出版社 清华大学出版社
• 出版时间 2019-09
• 版次 1
• ISBN 9787302531715
• 定价 98.00元
• 装帧 平装
• 开本 16
• 纸张 胶版纸
• 页数 215页

【内容简介】

黎翠珍是当代香港非常活跃的一位翻译家。她长期从事英汉双语写作，又有众多英汉和汉英翻译作品，且其译文颇具特色。本书尝试在现代翻译理论的观照下，结合她翻译的小说、诗歌、戏剧、散文、外宣文本等不同文类作品，通过文本细读，考察她是如何发挥自己的双语特长、注重香港元素的传译以及营构言语的音乐效果的。这些无疑是她近年来努力摆脱后殖民影响、重塑香港地方文化、建构香港文化身份等学术活动的一部分。

【目录】

绪论 ················································································································1

 

第1 章 表演性文本之翻译——以黎翠珍英译《原野》

 

　　　　第二幕为例·················································································· 21

 

第一节　黎译《原野》之源起 ········································································· 22

 

第二节　声音节奏的传递 ·················································································· 23

 

第三节　通俗话语风格的传译 ········································································· 30

 

第四节　人物个性化语言的重铸 ····································································· 39

 

第五节　反思与启示 ··························································································· 45

 

第2 章 乡土气息的再现——细读黎翠珍英译《一把酒壶》······ 49

 

第一节　风格与风格翻译说略 ········································································· 49

 

第二节　整体风貌的把握和再现 ····································································· 53

 

第三节　粗俗语体风格之传译 ········································································· 57

 

第四节　形象化描写风格的传译 ····································································· 64

 

第五节　启示与结语 ··························································································· 66

 

第3 章 异样的视角——细读黎翠珍英译《禅宗语录一百则》···· 69

 

第一节　选材与策略 ··························································································· 69

 

第二节　析字：辨析禅意 ·················································································· 73

 

第三节　择体：传递禅“风” ··········································································· 80

 

第四节　传意：在“说破”与“不说破”之间 ·········································· 87

 

第4 章 言语的音乐美——黎翠珍英译现代汉语诗歌研究········· 95

 

第一节　翻译选材与译者翻译诗学观 ···························································· 96

 

第二节　传言：声音效果的营构 ····································································· 99

 

第三节　绎象：文化意象的重构 ··································································· 107

 

第四节　达意：现代新诗精神的再现 ·························································· 114

 

xviii

 

心田的音乐：翻译家黎翠珍的英译世界

 

第５章　从“通事”到“通心”——细读黎翠珍英译

 

　　　　《香港礼宾府1997— 2005》··················································· 119

 

第一节　源语文本和规范概念说略 ······························································ 120

 

第二节　充分性原则观照下的复现策略 ····················································· 122

 

第三节　接受性原则观照下的变通策略 ····················································· 128

 

第四节　外宣文本风格之传译 ······································································· 135

 

第6 章　文本的快乐——细读黎翠珍英译《鸟人》······················· 143

 

第一节　作者审美情趣和原作风格说略 ····················································· 143

 

第二节　话语杂糅与翻译 ················································································ 145

 

第三节　民间语言风格的传译 ······································································· 161

 

第四节　京剧唱段之传译 ················································································ 172

 

第五节　反思与启示 ························································································· 175

 

参考文献······································································································· 179

 

附录1　黎翠珍已刊与未刊译著目录················································· 187

 

附录2　女拔萃书院西蒙斯校长致黎翠珍····················································197

 

附录3　从失语到对话——兼评张佩瑶、黎翠珍等编译

 

　　　　《中国翻译话语英译选集（上册）》····································· 199

 

附录4　黎翠珍教授近影········································································· 207

 

后记················································································································· 209

 

作者简介······································································································· 215