单声部视唱教程上

图书标准信息

• 作者 黎冰冰
• 出版社 花城出版社
• 出版时间 2016-10
• 版次 1
• ISBN 9787536076631
• 定价 69.00元
• 装帧 其他
• 开本 16开
• 纸张 胶版纸
• 页数 420页
• 字数 4千字

【内容简介】

《单声部视唱教程》，分上、下两册。适合用于各类音乐与艺术院校的视唱练耳基础教学，也可作为投考各类音乐与艺术院校的考试学习用书。本书按照固定唱名法的要求编排，但加入了首调视唱的读谱练习，其有别于同类书的编排特点是：“变化音、转调”不再是独立章节，而是将其分解并按照难度由浅入深、逐步地加入到以调号递增为主线的各章节之中。

【作者简介】

黎冰冰，女，副教授，从教三十年。担任星海音乐学院作曲系视唱练耳专业教师；音乐基础部视唱练耳、乐理、高级视唱练耳（选修）、音乐作品听觉训练（选修）教师。

【目录】

（上） 

第一部分  节奏                                                                                                             

常用节奏型及其“读名”··························································1

基本节奏型的变形·······························································2

第一单元  八分、十六分音符的节奏组合············································3

第二单元  附点节奏·····························································4

第三单元  切分节奏·····························································6

第四单元  八三拍  八六拍  三连音节奏···········································8

第五单元  综合练习·····························································11

第六单元  复附点等节奏························································13

第七单元  较复杂的切分节奏····················································15

第八单元  部分节奏、节拍的对比················································18

第二部分     视   唱                                                                                                                           

第一章　无升降号为主的调

（常用节拍 基本节奏型）   

第一单元  自然调式  同宫系统各调式

一、 拍（ ）  

    自然大调式（一）···························································19

   自然大调式（二）···························································27

    自然小调式 ·······························································40

二、 拍（  弱起）····························43

三、 拍（）

   宫调式·····································································57

   羽调式·····································································60

   徵调式·····································································62

   商调式·····································································63

   角调式·····································································65

四、 拍（）

         ·······························`·····································67

五、 拍（  ）·························································71

第二单元  和声、旋律小调式·······················································73

第三单元  C调综合练习···························································83

第四单元  变化音（辅助、经过式）··················································98

第五单元  转调（调式转换）························································105

第二章　一个升号为主的调

 （三连音与含八分音符节奏型的组合，     等节奏； 拍） 

第一单元  自然大调式···························································110

第二单元  自然、和声、旋律小调式················································121

第三单元  同宫系统各调式························································131

第四单元  G调综合练习··························································137

第五单元  变化音（辅助、经过式）·················································141

第六单元  转调（近关系调）·······················································144

第七单元  多利亚、弗利几亚小调式（一个升号的调与六个降号的调）···················151

第三章　一个降号为主的调

  （三连音与含十六分音符节奏型的组合，连续切分等节奏； 拍） 

第一单元  自然大调式····························································154

第二单元  自然、和声、旋律小调式················································166

第三单元  同宫系统各调式························································176

第四单元  F调综合练习··························································182

第五单元  变化音（辅助、经过式）·················································187

第六单元  转调（近关系调）·······················································191

第七单元  利底亚、混合利底亚大调式（一个降号的调与六个升号的调）·················199

附录

指挥图式·······································································201

部分常用音乐术语·······························································202

（下） 

第四章　两个升号为主的调

 （总时值为半拍的附点节奏型，连续切分等节奏； 拍） 

第一单元  自然大调式·····························································1

第二单元  自然、和声、旋律小调式·················································9

第三单元  同宫系统各调式························································16

第四单元  D调综合练习··························································22

第五单元  变化音（经过、换音、倚音式）···········································29

第六单元  转调（近关系调  D同主音大、小调）······································33

第七单元  和声、旋律大调式（两个升号的调与五个降号的调）··························40

第五章　两个降号为主的调

（总时值为半拍的三连音节奏型，带延音线的切分、连续切分等节奏； 拍） 

第一单元  自然大调式·····························································42

第二单元  自然、和声、旋律小调式·················································50

第三单元  同宫系统各调式·························································59

第四单元  bB调综合练习··························································66

第五单元  变化音（经过、换音、倚音式）············································73

第六单元  转调（近关系调  G同主音大、小调）······································78

第七单元  和声、旋律大调式（两个降号的调与五个升号的调）··························87

第六章 三个升号为主的调

 （总时值为两拍的三连音节奏型，较复杂的切分等节奏； 拍） 

第一单元  自然大调式····························································90

第二单元  自然、和声、旋律小调式················································97

第三单元  同宫系统各调式·······················································104

第四单元  A调综合练习·························································111

第五单元  变化音（换音、倚音、变和弦式）········································118

第六单元  转调（近关系调  A同主音大、小调）····································123

第七单元  雅乐调式 湖南特殊调式（三个升号的调与四个降号的调）···················132

 

第七章 三个降号为主的调

 （含三十二分音符的节奏型，三连音节奏的变形，二、四、五、六、七连音节奏型，较复杂的切分等节奏； 拍）

第一单元  自然大调式···························································135

第二单元  自然、和声、旋律小调式················································144

第三单元  同宫系统各调式························································152

第四单元  bE调综合练习·························································158

第五单元  变化音（换音、倚音、变和弦式）·········································164

第六单元  转调（近关系调  C同主音大、小调）·····································170

第七单元  燕乐调式（三个降号的调与四个升号的调）·································178

附录

指挥图式·······································································180

部分常用音乐术语·······························································181

主要参考书目···································································183