莱昂克里尔 建筑图纸 Drawing for Architecture 英文原版 建筑设计
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作者Leon Krier
出版社The MIT Press
ISBN9780262512930
出版时间2009-07
印刷时间2009-07
印数1千册
装帧平装
开本24开
纸张轻型纸
页数248页
字数1千字
定价270元
上书时间2024-12-02
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基本信息
Series:Writing Architecture
Format:Paperback / softback 248 pages, 207 b&w illus.; 414 Illustrations, unspecified
Publisher:MIT Press Ltd
Imprint:MIT Press
ISBN:9780262512930
Published:10 Jul 2009
Weight:384g
Dimensions:142 x 203 x 14 (mm)
页面参数仅供参考，具体以实物为准
书籍简介
图画、涂鸦和表意符号以凶猛和机智的方式论证传统的城市主义和建筑。
建筑师Léon Krier的涂鸦、素描和表意图画以图像形式进行论证，没有散文的绕口令。这些聪明的草图以诙谐和优雅的方式绘制，并不试图取悦或奉承建筑机构。相反，它们对克里尔所认为的当代建筑中未被质疑的教条和未被承认的荒谬之处进行了慷慨激昂的论证。因此，他向我们展示了一座与诺曼·福斯特的伦敦 "小黄瓜 "有着可疑的相似之处的建筑，作为 "普里普斯的狂妄"（受到休眠和 "普里普斯的克星 "的威胁）的例子；他描绘了 "随机的统一性"（"假的简单性"）和 "统一的随机性"（"假的复杂性"）。他画出了臃肿的 "暴食症 "和不成比例的 "厌食症 "柱子，在优雅的 "古典 "柱子两侧；他还将 "私人美德"（现代主义建筑师的家和办公室）与 "公共恶习"（现代主义建筑师的 "创作"）进行了比较。克里尔希望这些诙谐的图像能够成为重新建立传统城市主义和建筑的工具。他主张混合使用的城市，主张 "建筑语言 "而不是 "建筑结巴"，并尖锐地描绘了 "郊区人 "与城市居民的人车地需求比例。他写道（他的图画显示），在一个能源危机的时代，我们 "在错误的地方，以错误的模式、材料、密度和高度，为错误的居住者而建造"；回归传统的建筑、建筑和定居技术可以成为生态重建的手段。克里尔的每一张挑衅性和娱乐性的图片都比一千多字的理论抽象更有价值。
Drawings, doodles, and ideograms argue with ferocity and wit for traditional urbanism and architecture.
Architect Léon Krier's doodles, drawings, and ideograms make arguments in images, without the circumlocutions of prose. Drawn with wit and grace, these clever sketches do not try to please or flatter the architectural establishment. Rather, they make an impassioned argument against what Krier sees as the unquestioned doctrines and unacknowledged absurdities of contemporary architecture. Thus he shows us a building bearing a suspicious resemblance to Norman Foster's famous London "gherkin" as an example of "priapus hubris" (threatened by detumescence and "priapus nemesis"); he charts "Random Uniformity" ("fake simplicity") and "Uniform Randomness" ("fake complexity"); he draws bloated "bulimic" and disproportionately scrawny "anorexic" columns flanking a graceful "classical" one; and he compares "private virtue" (modernist architects' homes and offices) to "public vice" (modernist architects' "creations"). Krier wants these witty images to be tools for re-founding traditional urbanism and architecture. He argues for mixed-use cities, of "architectural speech" rather than "architectural stutter," and pointedly plots the man-vehicle-landneed ratio of "sub-urban man" versus that of a city dweller. In an age of energy crisis, he writes (and his drawings show), we "build in the wrong places, in the wrong patterns, materials, densities, and heights, and for the wrong number of dwellers"; a return to traditional architectures and building and settlement techniques can be the means of ecological reconstruction. Each of Krier's provocative and entertaining images is worth more than a thousand words of theoretical abstraction.
作者简介
建筑师和城市学家莱昂·克里尔曾在建筑协会、皇家艺术学院、弗吉尼亚大学、普林斯顿大学和耶鲁大学任教，自1988年以来一直是威尔士亲王的建筑顾问。他获得了许多奖项，包括Driehaus古典建筑奖和Jefferson纪念金奖。他是获奖的《建筑》的作者
Architect and urbanist Léon Krier has taught at the Architectural Association, the Royal College of Arts, the University of Virginia, and Princeton and Yale Universities and has been an architectural consultant to the Prince of Wales since 1988. He is the recipient of numerous prizes, including the Driehaus Prize for Classical Architecture and Jefferson Memorial Gold Medal. He is the author of the award-winning Architecture: Choice or Fate and other books.
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