1985年,哲学家Jean-François Lyotard在蓬皮杜中心(Centre Georges Pompidou)策划了Les Immatériaux。尽管当时被广泛误解,但这次展览标志着批判理论的“策展转向”。通过其实验性的布局和物体、技术和想法的混合呈现,这种对虚拟的开创性探索反映了展览作为一种交流媒介,并期待在艺术和理论方面与沉浸式和数字空间进行更深入的接触。在《空间哲学》中,Daniel Birnbaum和sveno - olov Wallenstein分析了利奥塔德展览的意义和逻辑,同时将其置于展览实践史、哲学传统和利奥塔德自己的美学和现象学工作的背景中。因此,Les Immatériaux可以被视为一生工作的顶点和物化,以及在接下来的几十年里产生的许多思想展览的启蒙。
In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology. Les Immatériaux can thus be seen as a culmination and materialization of a life's work as well as a primer for the many thought-exhibitions produced in the following decades.
Daniel Birnbaum is a Swedish art critic, theoretician, and curator. He was the director of the Museum of Modern Art (Moderna Museet) in Stockholm from 2010 to 2018, and currently directs the VR company, Acute Art.
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