沃尔特·本杰明：选集卷四英文原版Walter Benjamin:SelectedWritings
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作者Benjamin，Walter
出版社Harvard University Press
ISBN9780674022294
出版时间2006-11
印刷时间2006-11
印数1千册
装帧平装
开本32开
纸张轻型纸
页数496页
字数1千字
定价332元
上书时间2024-07-01
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基本信息
Edited by:Howard Eiland, Michael W. Jennings
Format:Paperback / softback 496 pages, 4 halftones
Publisher:Harvard University Press
Imprint:The Belknap Press
ISBN:9780674022294
Published:31 Oct 2006
Weight:648g
Dimensions:235 x 162 x 25 (mm)
页面参数仅供参考，具体以实物为准
书籍简介
“我们今天出版的每一行书……都是从黑暗势力手中夺取的胜利。”1940年1月，沃尔特·本雅明(Walter Benjamin)这样写道。不久之后，他自己也成了这些势力的牺牲品，在一次试图逃离纳粹的尝试失败后，他自杀了。无论在本雅明生命的最后几年里，他的作品中始终萦绕着灾难的念头，但在这一时期，他所取得的“胜利”却构成了20世纪对现代社会出现的一些最引人注目的分析。关于查尔斯·波德莱尔的文章是对现代性本质一生思考的结晶。它们记录了一个滑向深渊的文明所经历的意义危机，甚至也证明了本雅明自己对文字的信仰。
这本书从对波德莱尔、布莱希特和历史学家卡尔·约希曼的研究，到对摄影、电影和诗歌的评价。他们的核心问题是艺术如何在动荡的时代生存和繁荣。在这里，我们看到本雅明为批评家和艺术家提出了一种道德准则——一种克制但坚韧的英雄主义。与此同时，他对艺术如何适应暴力和压抑的时代进行了社会历史的叙述。
本雅明在他的d峰工作到最后，完善了他的大众传媒理论，并在他的论文《在技术再现的时代的艺术作品》的最终版本中达到d峰。这本书中还包括他在去世前完成的颇具影响力的作品《论历史概念》(On the Concept of History)。这本书的卓越之处在于它对“现代”的本质的探究(尤其是波德莱尔所揭示的)，它关于艺术的变形和历史的根本不连续性的观点，以及它在野蛮时期的人性生活和思想的例子。整个收藏品雄辩地证明了人类在围城中不屈不挠的精神。
“Every line we succeed in publishing today…is a victory wrested from the powers of darkness.” So wrote Walter Benjamin in January 1940. Not long afterward, he himself would fall prey to those powers, a victim of suicide following a failed attempt to flee the Nazis. However insistently the idea of catastrophe hangs over Benjamin’s writings in the final years of his life, the “victories wrested” in this period nonetheless constitute some of the most remarkable twentieth-century analyses of the emergence of modern society. The essays on Charles Baudelaire are the distillation of a lifetime of thinking about the nature of modernity. They record the crisis of meaning experienced by a civilization sliding into the abyss, even as they testify to Benjamin’s own faith in the written word.
This volume ranges from studies of Baudelaire, Brecht, and the historian Carl Jochmann to appraisals of photography, film, and poetry. At their core is the question of how art can survive and thrive in a tumultuous time. Here we see Benjamin laying out an ethic for the critic and artist—a subdued but resilient heroism. At the same time, he was setting forth a sociohistorical account of how art adapts in an age of violence and repression.
Working at the height of his powers to the very end, Benjamin refined his theory of the mass media that culminated in the final version of his essay “The Work of Art in the Age of Its Technological Reproducibility.” Also included in this volume is his influential piece “On the Concept of History,” completed just before his death. The book is remarkable for its inquiry into the nature of “the modern” (especially as revealed in Baudelaire), for its ideas about the transmogrification of art and the radical discontinuities of history, and for its examples of humane life and thought in the midst of barbarism. The entire collection is eloquent testimony to the indomitable spirit of humanity under siege.
目录
Fruits of Exile, 1938 (Part 2)
Theory of Remembrance, 1939
Materialist Theology, 1940
A Note on the Texts
Chronology, 1938–1940
List of Writings in Volumes 1–4
Index
作者简介
Walter Benjamin (1892–1940) was the author of many works of literary and cultural analysis.
Howard Eiland is an editor and translator of Walter Benjamin’s writings.
Michael W. Jennings is Class of 1900 Professor of Modern Languages at Princeton University.
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