The Oxford Handbook of Shakespearean Tragedy David Schalkwyk 牛津莎士比亚悲剧手册 英文原版
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作者Michael Neill
出版社Oxford University
ISBN9780198820390
出版时间2018-02
印刷时间2018-02
印数1千册
装帧精装
纸张轻型纸
页数992页
字数1千字
定价564元
上书时间2024-05-15
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The Oxford Handbook of Shakespearean Tragedy
基本信息
Edited by:Michael Neill, David Schalkwyk
Series:Oxford Handbooks
Format:Paperback / softback 992 pages
Publisher:Oxford University Press
Imprint:Oxford University Press
ISBN:9780198820390
Published:22 Feb 2018
Classifications:Theatre studies, Literary studies: c 1500 to c 1800, Shakespeare studies & criticism
Weight:1680g
Dimensions:172 x 242 x 52 (mm)
页面参数仅供参考，具体以实物为准
书籍简介
《牛津莎士比亚悲剧手册》收录了来自世界各地的学者撰写的54篇文章。这些文章为读者提供了一个全新和全面的了解，既作为文学作品，又作为表演文本的莎翁悲剧，而他本人是一个经验丰富的演员。开篇部分探讨了后世评论家是如何塑造我们对“莎士比亚”悲剧的看法的，并通过考察莎士比亚对古典和中世纪历史的继承来探讨了流派问题。第二部分专门讨论当前的文本问题，而第三部分提供了对每一个悲剧的新的批判性解读。还设置了论述表演历史、银幕作品和歌剧舞台版本的文章，以及莎士比亚悲剧在二十世纪和二十一世纪的再现。本书的末尾一部分扩展了读者对莎士比亚全球影响力的认识，追溯了欧洲、美洲、澳大拉西亚、中东、非洲、印度和东亚的批评和表演的历史。
The Oxford Handbook of Shakespearean Tragedy presents fifty-four essays by a range of scholars from all parts of the world. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experienced actor. The opening section explores ways in which later generations of critics have shaped our idea of 'Shakespearean' tragedy, and addresses questions of genre by examining the playwright's inheritance from the classical and medieval past. The second section is devoted to current textual issues, while the third offers new critical readings of each of the tragedies. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with twentieth and twenty-first century re-workings of Shakespearean tragedy. The book's final section expands readers' awareness of Shakespeare's global reach, tracing histories of criticism and performance across Europe, the Americas, Australasia, the Middle East, Africa, India, and East Asia.
目录
Part I: Genre
1. What is Shakespearean Tragedy?, Paul A. Kottman
2. The Classical Inheritance, Richard Halpern
3. The Medieval Inheritance, Rory Loughnane
4. The Romantic Inheritance, Edward Pechter
5. Ethics and Shakespearean Tragedy, Tzachi Zamir
6. Character in Shakespearean Tragedy, Emma Smith
7. Preposterous Nature in Shakespeare's Tragedies, Philip Armstrong
8. Shakespearean Tragedy and the Language of Lament, Lynne Magnusson
9. The Pity of It: Shakespearean Tragedy and Affect, David Hillman
10. 'Do You See This?' The Politics of Attention in Shakespearean Tragedy, Steven Mullaney
11. Tragedy and Religion: Religion and Revenge in Titus Andronicus and Hamlet, Peter Lake
12. Shakespeare's Anatomies of Death, Richard Sugg
13. 'Minded Like the Weather': The Tragic Body and its Passions, Gail Kern Paster
14. Shakespeare's Tragedy and English History, Andrew Hadfield
15. Shakespeare's Tragedy and Roman History, Tom Bishop
16. Tragedy and the Satiric Voice, Hester Lees-Jeffries
17. 'The action of my life': Tragedy, Tragicomedy, and Shakespeare's Mimetic Experiments, Subha Mukherji
18. Queer Tragedy, or Two Meditations on Cause, Lee Edelman and Madhavi Menon
Part II: Textual Issues
19. Authorial Revision in the Tragedies, Paul Werstine
20. Digital Approaches to the Language of Shakespearean Tragedy, Michael Witmore, Jonathan Hope and Michael Gleicher
Pert III: Reading the Tragedies
21. 'Romaine Tragedie': The Designs of Titus Andronicus, Michael Neill
22. Romeo and Juliet as Event, Crystal Bartolovich
23. Julius Caesar: Making History, Emily C. Bartels
24. The Question of Hamlet, Catherine Belsey
25. Seeing Blackness, Reading Race in Othello, Ian Smith
26. King Lear and the Death of the World, Leah S. Marcus
27. 'O horror! horror! horror!' Macbeth and Fear, Andrew J. Power
28. Antony and Cleopatra, Bernhard Klein
29. Coriolanus: A Tragedy of Language, David Schalkwyk
Part IV: Stage and Screen
30. Early Modern Tragedy and Performance, Tiffany Stern
31. Performing Shakespearean Tragedy, 1660-1780, Peter Holland
32. Staging Shakespearean Tragedy: The Nineteenth Century, Russell Jackson
33. Tragedy in Twentieth and Twenty-first Century Theatre Production: Hamlet, Lear, and the Politics of Intimacy, Bridget Escolme
34. Ontological Shivers: The Cinematic Afterlives of Shakespeare's Romeo and Juliet, Courtney Lehmann
35. Hamlet: Tragedy and Film Adaptation, Douglas Lanier
36. Intermediated Bodies and Bodies of Media: Screen Othellos, Sujata Iyengar
37. Screening the Tragedies King Lear, Macdonald P. Jackson
38. Macbeth on Changing Screens, Katherine Rowe
39. The Roman Plays on Screen: Autonomy, Serialization, Conflation, Sarah Hatchuel and Nathalie Vienne-Guerrin
40. 'The Bowe of Ulysses': Reworking the Tragedies of Shakespeare, Peter Byrne
41. Shakespeare's Tragedies on the Operatic Stage, William Germano
Part V: The Tragedies Worldwide:
(I) European Responses
42. The Tragedies in Italy, Shaul Bassi
43. The Tragedies in Germany, Andreas Hofele
44. French Receptions of Shakespearean Tragedy: Between Liberty And Memory, Pascale Drouet and Nathalie Rivere de Carles
45. Shakesperean Tragedy in Eastern Europe, Pavel Drabek
46. Shakespearean Tragedy in Russia: In Equal Scale Weighing Delight and Dole, John Givens
(II) The Wider World
47. Shakespearean Tragedy in the Nineteenth-Century United States: The Case of Julius Caesar, Gay Smith
48. Unsettling the Bard: Australasia and the Pacific, Mark Houlahan
49. Shakespeare's Tragedies in Southern Africa, Colette Gordon, Daniel Roux and David Schalkwyk
50. In Blood Stepped in: Tragedy and the Modern Israelites, Araham Oz
51. Shakespeare's Tragedies in North Africa and the Arab World, Khalid Amine
52. Shakespearean Tragedy in Latin America and the Caribbean, Alfredo Michel Modenessi and Margarida Gandara Rauen
53. Shakespearean Tragedy in India: Politics of Genre - or How Newness Entered Indian Literary Culture, Poonam Trivedi
54. 'It is the East': Shakespearean Tragedies in East Asia, Alexa Huang
作者简介
迈克尔·尼尔是奥克兰大学的名誉英语教授。他是《死亡的问题》(1997)和《把历史推向问题》(2000)的作者。他编辑过许多早期现代戏剧，包括《安东尼与克利奥帕特拉》(1994)和《奥塞罗》(2006)，《阿登早期现代戏剧》(2010)，《西班牙悲剧》(2014)和《马尔非公爵夫人》(2015)。
Michael Neill is Emeritus Professor of English at the University of Auckland. He is the author of Issues of Death (1997) and Putting History to the Question (2000). He has edited a number of early modern plays, including Anthony and Cleopatra (1994) and Othello (2006) for the Oxford Shakespeare, and (most recently) The Renegado (2010) for Arden Early Modern Drama, as well as The Spanish Tragedy (2014) and The Duchess of Malfi (2015) for Norton Critical Editions.
David Schalkwyk是伦敦玛丽皇后大学莎士比亚研究教授，也是全球莎士比亚研究中心主任。他曾任华盛顿特区福尔杰莎士比亚图书馆研究部主任和《莎士比亚季刊》编辑。在此之前，他是开普敦大学的英语教授，担任人文学院的系主任和副院长。他的著作包括《莎士比亚十四行诗与戏剧中的演讲与表演》(剑桥，2002年)、《文学与触摸真实》(特拉华，2004年)和《莎士比亚，爱与服务》(剑桥，2008年)。他的*新著作是《哈姆雷特的梦想:罗宾岛莎士比亚》，2013年由雅顿莎士比亚出版社出版。他刚刚完成了一部关于莎士比亚爱情的专著。
David Schalkwyk is Professor in Shakespeare Studies at Queen Mary University of London and Director of the Centre for Global Shakespeare. He was formerly Director of Research at the Folger Shakespeare Library in Washington DC and editor of Shakespeare Quarterly. Before that he was Professor of English at the University of Cape Town, where he held the positions of Head of Department and Deputy Dean in the faculty of the Humanities. His books include Speech and Performance in Shakespeare's Sonnets and Plays (Cambridge, 2002), Literature and the Touch of the Real (Delaware, 2004), and Shakespeare, Love and Service (Cambridge, 2008). His most recent book is Hamlet's Dreams: The Robben Island Shakespeare, published in 2013 by the Arden Shakespeare. He has just completed a monograph on love in Shakespeare.
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