The Open Work 翁贝托埃科开放的作品豆瓣高分英文原版

安伯托·艾柯（Umberto Eco，1932-2016 ），1932年1月5日出生于皮埃蒙蒂州的亚历山大，是一位享誉世界的哲学家、符号学家、历史学家、文学批评家和小说家。《剑桥意大利文学史》将安伯托·艾柯誉为20世纪后半期最耀眼的意大利作家，并盛赞他那“贯穿于职业生涯的‘调停者’和‘综合者’意识” 。

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作者Umberto Eco

出版社Harvard University Press

ISBN9780674639768

出版时间2006-04

印刷时间2006-04

印数1千册

装帧平装

开本18开

纸张轻型纸

页数320页

字数1千字

定价413元

上书时间2022-11-25

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品相描述：九五品: 艾柯的世界辽阔而多重，除了随笔、杂文和小说，还有大量论文、论著和编著，研究者将其粗略分为8大类52种，包含中世纪神学研究、美学研究、文学研究、大众文化研究、符号学研究和阐释学研究等。 2016年2月19日，意大利伟大作家安伯托·艾柯（Umberto Eco)在米兰家中逝世，享寿84岁。

商品描述: Translated by Anna Cancogni

Introduction by David Robey

Format:Paperback / softback 320 pages, None

Publisher:Harvard University Press

Imprint:Harvard University Press

ISBN:9780674639768

Published:1 Jul 1989

Classifications:Theory of art, Literary theory

Readership:Professional & Vocational Postgraduate, Research & Scholarly Undergraduate

Weight:450g

Dimensions:157 x 234 x 24 (mm)

页面参数仅供参考，具体以实物为准

书籍简介

当代西方文化界大师艾柯最最重要的学术著作

当代意识理论的革命性标志作品

引发西方文化界巨大持久争议

探讨西方现代艺术、文学的趣味之作

这个全新的版本，经过艾柯本人的同意，为英语读者编辑的，包括大卫·罗比的权威介绍，探索艾柯在公开工作期间，在他对符号学的吸收之前的思想。这本书现在包含了关于艾柯的导师路易吉·帕雷森，关于电视和大众文化，以及关于艺术政治的关键文章。[哈佛大学出版社分别同时出版了詹姆斯·乔伊斯的扩展研究，这原本是公开作品的一部分，题为《混乱的美学:詹姆斯·乔伊斯的中世纪》。]

《开放的作品》至今仍然是就语言技术和20世纪先锋派艺术的思想意识作用进行的讨论所依据的坐标，这里所说的先锋派艺术既包括“历史的”先锋派，也包括“新先锋派”，对这种“新先锋派”既做了*具挑战性的理论总结，也进行了最详尽的批评。

More than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of “openness”—the artist’s decision to leave arrangements of some constituents of a work to the public or to chance—and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Umberto Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general.

This entirely new edition, edited for the English-language audience with the approval of Eco himself, includes an authoritative introduction by David Robey that explores Eco’s thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco’s mentor Luigi Pareyson, on television and mass culture, and on the politics of art. [Harvard University Press published separately and simultaneously the extended study of James Joyce that was originally part of The Open Work, entitled The Aesthetics of Chaosmos: The Middle Ages of James Joyce.]

The Open Work explores a set of issues in aesthetics that remain central to critical theory, and does so in a characteristically vivid style. Eco’s convincing manner of presenting ideas and his instinct for the lively example are threaded compellingly throughout. This book is at once a major treatise in modern aesthetics and an excellent introduction to Eco’s thought.

目录

1. The Poetics of the Open Work

2. Analysis of Poetic Language

3. Openness, Information, Communication

4. The Open Work in the Visual Arts

5. Chance and Plot: Television and Aesthetics

6. Form as Social Commitment

7. Form and Interpretation in Luigi Pareyson’s Aesthetics

8. Two Hypotheses about the Death of Art

9. The Structure of Bad Taste

10. Series and Structure

11. The Death of the Gruppo 63

Notes

Index