Walter Benjamin Selected Writings 3 1935 1938 英文原版 瓦尔特 本雅明 选集卷三 1935 1938
沃尔特·本雅明（1892-1940）是许多文学和文化分析作品的作者。 霍华德·埃兰德是沃尔特·本雅明作品的编辑和翻译。 迈克尔·W·詹宁斯是普林斯顿大学1900名现代语言教授。
￥ 258 8.2折 ￥ 316 九五品
库存2件
作者Benjamin, Walter
出版社Harvard University
ISBN9780674019812
出版时间2006-05
印刷时间2006-05
印数1千册
装帧平装
开本32开
纸张轻型纸
页数480页
字数1千字
定价316元
上书时间2022-07-26
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Edited by:Howard Eiland, Michael W. Jennings
Series:Volume 3
Format:Paperback / softback 480 pages, 12 halftones
Publisher:Harvard University Press
Imprint:The Belknap Press
ISBN:9780674019812
Published:2 May 2006
Weight:714g
Dimensions:225 x 153 x 25 (mm)
页面参数仅供参考，具体以实物为准
书籍简介
对一个陷入黑暗的欧洲文明的激进批评者，同时也是老资产阶级人文传统的纪念者——20世纪30年代后期的沃尔特·本雅明就是这样的人。这本书是四卷本的第三卷，有27篇精彩的作品，其中19篇从未被翻译过。
这幅画的中心是《1900年前后柏林的童年》，标志着20世纪最伟大的德国作品之一首次以英语出现:它深刻而美丽地描述了本雅明在流亡期间的特权少年时代消失的世界。同样引人注目的还有本雅明最著名的文章《技术再现时代的艺术作品》(the Work of Art in the Age of Its Technological可复制性)的第二版，这篇文章对技术与美学之间的关系有着惊人的见解;还有《德国男人和女人》(German Men and Women)，本雅明在这本书中收集了从1783年到1883年的26封杰出德国人的来信，目的是保护他所说的德国传统的真正人性，使之不受法西斯主义的诋毁。
第三卷还提供了大量注释性翻译的文章，这些文章是本雅明重写现代主义和现代性故事的关键，如“说书人”和“巴黎，19世纪的首都”，以及一本引人入胜的1938年日记和对贝托尔特·布雷希特、弗兰兹·卡夫卡和Eduard Fuchs的深入研究。叙事学详细记述了本杰明在法国和丹麦流亡的四年悲惨生活。对任何对他的作品感兴趣的人来说，这都是必不可少的收藏。
Radical critic of a European civilization plunging into darkness, yet commemorator of the humane traditions of the old bourgeoisie—such was Walter Benjamin in the later 1930s. This volume, the third in a four-volume set, offers 27 brilliant pieces, 19 of which have never before been translated.
The centerpiece, A Berlin Childhood around 1900, marks the first appearance in English of one of the greatest German works of the twentieth century: a profound and beautiful account of the vanished world of Benjamin’s privileged boyhood, recollected in exile. No less remarkable are the previously untranslated second version of Benjamin’s most famous essay, “The Work of Art in the Age of Its Technological Reproducibility,” with its striking insights into the relations between technology and aesthetics, and German Men and Women, a book in which Benjamin collects 26 letters by distinguished Germans from 1783 to 1883 in an effort to preserve what he called the true humanity of German tradition from the debasement of fascism.
Volume 3 also offers extensively annotated translations of essays that are key to Benjamin’s rewriting of the story of modernism and modernity, such as “The Storyteller” and “Paris, the Capital of the Nineteenth Century”—as well as a fascinating diary from 1938 and penetrating studies of Bertolt Brecht, Franz Kafka, and Eduard Fuchs. A narrative chronology details Benjamin’s life during these four harrowing years of his exile in France and Denmark. This is an essential collection for anyone interested in his work.
目录
Paris Old and New, 1935
Art in a Technological Age, 1936
Dialectics and History, 1937
Fruits of Exile, 1938 (Part 1)
A Note on the Texts
Chronology, 1935–1938
Index
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