Vanity Fair 名利場 William Makepeace Thackeray薩克雷 英文原版
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作者William Makepeace Thackeray 著
出版社Random House US
出版时间2011-12
版次1
装帧精装
货号2
上书时间2021-01-07
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外殼有運輸的摩擦印記和輕微折角，側面有小印記，其餘完好內頁乾淨.
個人存書未使用過，成色如圖實拍，有幾處小瑕疵、折損，詳見圖片（因個人標準和理解的差異 為避免造成不必要的誤會 請以實拍圖片為準）*｛覺得不夠清楚明晰、不易分辨或者未拍到的部分請告知我，十分理解愛書之人對書本的珍視，所以有什麼不放心的都可以告訴我，我看到消息後若能拍到就儘快幫您拍，也請理解我不接受發貨後的退換貨｝*
書本的出版日期、印刷批次、頁數尺寸、使用紙張等部分來自於孔夫子舊書網已有的信息和其他專業網站提供的數據，常常存在更新不及時、版本錯亂等情況導致與實際有誤差，為避免因誤會產生糾紛：【一切請以圖片中實物為準，有任何需要確定的信息或有必須符合某種標準的要求請隨時聯繫我，我儘量滿足.不接受以單方面認知為理由的退換貨，感謝理解】
非職業賣家，顯示的庫存就是全部了，鏈接還在就能拍，現貨當日或隔日可發
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*【因個人標準和理解的差異：為避免造成不必要的誤會，請以實拍的圖片為準！】 *｛覺得不夠清楚明晰、不易分辨或者未拍到的部分請告知我，十分理解愛書之人對書本的珍視，所以有什麼不放心的都可以告訴我，我看到消息後若能拍到就儘快幫您拍，也請理解我不接受發貨後的退換貨.｝*
書本的出版日期、印刷批次、頁數尺寸、使用紙張等部分來自於孔夫子舊書網已有的信息和其他專業網站提供的數據，常常存在更新不及時、版本錯亂等情況導致與實際有誤差，為避免因誤會產生糾紛：
【一切請以圖片中實物為準，有任何需要確定的信息或有必須符合某種標準的要求請隨時聯繫我，我儘量滿足.不接受以單方面認知為理由的退換貨，感謝理解.】
需要更多細節圖片等請私信，有任何疑問或要求請務必與我溝通說明，我儘量滿足，不接受任何單方面認知和想當然！
本書攤為Eris私人存書的整理，並非職業賣家～鏈接所顯示的庫存就是全部了，鏈接還在就能拍～現貨當日或隔日可發.
藏書量大且還在購買中～會持續更新.歡迎關注●﹏●
一旦付款默認已看完全部內容且接受不退不換，請慎重考慮謹慎下單，感謝理解，祝好。
图书标准信息
- 作者 William Makepeace Thackeray 著
- 出版社 Random House US
- 出版时间 2011-12
- 版次 1
- ISBN 9780679405665
- 定价 227.80元
- 装帧 精装
- 开本 32开
- 纸张 胶版纸
- 页数 8页
- 正文语种 英语
- 丛书 Everyman's Library Classics & Contemporary Classics
- 【内容简介】
- The story of English society in the early nineteenth century.
- 【作者简介】
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William Makepeace Thackeray, whose satiric novels are often regarded as the great upper-class counterpart to Dickens's panoramic depiction of lower-class Victorian society, was born on July 18, 1811, in Calcutta, India. His father, a prosperous official of the British East India Company, died four years later, and at the age of six Thackeray was sent to England to be educated. After graduating from the Charterhouse School in London, he entered Trinity College, Cambridge, in 1829 but left the following year without taking a degree. After reading law for a short time at the Middle Temple he moved to Paris in 1832 to study art. Although he eventually abandoned the idea of painting as a career, Thackeray continued to draw throughout his life, illustrating many of his own works. When financial reversals wiped out his inheritance, he resettled in London and turned to journalism for a livelihood. By then he had married Isabella Shawe, a young Irishwoman with whom he had three daughters.
Thackeray's earliest literary success, The Yellowplush Correspondence, a group of satiric sketches written in the guise of a cockney footman's memoirs, was serialized in Fraser's Magazine beginning in 1837. Catherine (serialized 1839-40; published 1869), his first novel, parodied the crime stories popular in Victorian England. Under the name Michael Angelo Titmarsh, the most famous of his many pseudonyms, Thackeray turned out The Paris Sketch Book (1840) and The Irish Sketch-Book (1843), two popular volumes of travel writing. The Luck of Barry Lyndon (1844), which chronicles the adventures of an Irish knave in eighteenth-century England, marked his first serious attack on social pretension. In The Book of Snobs (1848), a collection of satiric portraits originally published in Punch magazine (1846-47), he lampooned the avarice and snobbery occasioned by the Industrial Revolution.
Vanity Fair, Thackeray's resplendent social satire exposing the greed and corruption raging in England during the turmoil of the Napoleonic wars, brought him immediate acclaim when it appeared in Punch beginning in 1847. "The more I read Thackeray's works," wrote Charlotte Bronte, "the more certain I am that he stands alone-alone in his sagacity, alone in his truth, alone in his feeling (his feeling, though he makes no noise about it, is about the most genuine that ever lived on a printed page), alone in his power, alone in his simplicity, alone in his self-control. Thackeray is a Titan. . . . I regard him as the first of modern masters.",,
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