我看中国
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作者(澳)马克林 著
出版社中国人民大学出版社
ISBN9787300177113
出版时间2013-07
装帧平装
开本16开
定价88元
货号1200760708
上书时间2025-01-05
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作者简介
马克林（Colin Mackerras），早年毕业于墨尔本大学；后获英国剑桥大学文学硕士学位；1970年获澳大利亚国立大学博士学位；现为格里菲斯大学荣誉教授。马克林教授的研究领域包括中国少数民族问题，马克林教授著作等身，其中包括：《中国少数民族与全球化》，新剑桥当代中国手册》，《西方的中国形象》，《中国少数民族与全球化》等。
目录
Chapter 1 Introduction
Chapter 2 Historical Background
Chapter 3 Political and International Relations Images of China,1949 to 1971/1972
Chapter 4 Trends in Political and Foreign Relations Images of China, 1971/1972 to 2001
Chapter 5 Political and General Western Images of China in the Twenty-first Century
Chapter 6 Images of the Chinese Economy, Population Policy and Environment at the End of the Twentieth Century
Chapter 7 The Twenty-first Century: Images of the Chinese Economy, Population Issues and Environment
Chapter 8 Socio-cultural Images of the Peoples Republic of China
Chapter 9 Conclusion
Brief Timeline
List of Works Cited
内容摘要
《我看中国》讲述的是中华人民共和国在西方的形象。作者以时间为经线、话题为纬线，呈现了1949年以来西方对中国政治、外交、经济、社会、文化、人口政策和环境保护等方面的看法和认识。体现在《我看中国》的中国形象包括各个时期来自西方不同媒体、代表不同声音、有着不同表现形式的观点和看法，内容极其丰富。更为重要的是，作者在展现中国形象的基础上深入分析了中国形象形成的原因。作者马克林教授认为，除了中国的真实现状之外，西方对中国的看法还受到了诸如个人经历、脾气秉性、意识形态、政治局势和权力关系等因素的影响，即中国在西方的形象不仅取决于中国本身，同时也取决于西方各国的心态。
主编推荐
《我看中国：1949年以来中国在西方的形象》讲述的是中华人民共和国在西方的形象问题。作者马克林以时间为经、以话题为纬呈现了1949年以来西方对中国政治、经济、外交、社会、文化以及环境保护等方面的看法和认识。
西方人眼中的中国形象包括各个时期来自西方不同媒体、代表不同声音、有着不同表现形式的观点和看法，内容极其丰富。更为重要的是，作者在展现中国形象的基础上深入分析了中国形象形成的原因。作者认为，除了中国的真实状况以外，西方对中国的看法还受到了诸如个人经历、脾气秉性、意识形态、政治局势和权力关系等因素的影响，即中国在西方的形象不仅取决于中国本身，同时还取决于西方各国的心态和利益考量。
精彩内容
Marco Polo has become legendary both in China and the West. He came from one great civilization but attempted to understand another one and to interpret it to his own people. In particular, he is the fi rst Westerner to leave a detailed account of China and consequently plays a major role in Western images of China. For those achievements he deserves great credit.
He is the first in a long line of writers who have made China a part of the intellectual life of the West. At times this great East Asian country has been a model for the West, at others a negative example. At times it has loomed large in the imagination of the West, declining in importance at others.
This book focuses on Western images of the People’s Republic of China, that is, of the country since 1949. It aims to relate and analyse some of the most important of these images, and to set them within an appropriate historical and intellectual context. It aims to explore who or which group has tended to create images and, to some extent, how they have done so. It adopts a chronological and topical approach, with consideration of political, economic and social images, as well as those relating to foreign affairs.
This is an important subject, because it concerns cross-cultural relations, and how peoples see each other. There has long been a tendency in the West to see China and other civilizations as ‘exotic’, which can signify a way of admiring something very strange but is more often a sign of criticism, even contempt. This trend may be weaker than it used to be, but it is far from dead. The policy one country adopts towards another can affect its perceptions but the converse is also true, in other words that images can infl uence policy. This adds to the importance of the subject of Western images of China, because how these two major civilizations see and relate to each other matters for the world as a whole.
So what precisely are the Western images of China that are the subject of this book? I define images as perceptions that are important enough to impinge on the consciousness of the observer. Usually, they are recorded in some way that makes them accessible. A chance conver sat ion by a Westerner about China might be an image and I feel entitled to include such conversations I have had myself, or those that are accessible to me in another way. Images also include pictures and some of these are included in this book, most of them taken by me or a friend.
This is a large topic and it is not possible to deal with all kinds of images. Images included are almost all of people or relevant to them. Many types are completely irrelevant to this coverage and are left out, despite their importance or interest, such as those dealing with scenery, biology, or with the wild animals of China.
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