黄哲伦后现代剧场美学研究
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北京东城
认证卖家担保交易快速发货售后保障
作者祁亚平
出版社苏州大学出版社
ISBN9787567238428
出版时间2022-01
装帧平装
开本16开
定价58元
货号1202690261
上书时间2024-09-29
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目录
Chapter One Introduction
1.1 Literature review
1.1.1 Critical reception of Hwangs theatre in Chinese Mainland
1.1.2 Overseas critical reception of Hwangs theatre
1.1.3 Comments on critical receptions of Hwangs theatre
1.2 Research objectives
1.3 Methodology
1.4 Terminologies
1.5 Theorizing performativity:a Butlerian lens
1.6 Structure of the book
Chapter Two Unnatural Narrative: Disrupting the Coherence of Master Narrative
2.1 Unreliable narrators: perpetuators of stereotypes
2.1.1 Dale in FOB : the embodiment of internalized sterotypes
2.1.2 Gallimard in M. Butterfly: perpetrator and victim of stereotypes
2.1.3 Ahn in Golden Child: a witness to enactments of stereotypes
2.1.4 DHH in Yellow Face : an upholder of the notion of authenticity
2.1.5 Summary
2.2 Anti-realistic characters: rejecting the process of performativity
2.2.1 The notion of performativity in Trying to Find Chinatown and Bondage
2.2.2 Performers of multiple roles in FOB, The Dance and the Railroad and M.Butterfly
2.2.3 Marcuss "passing" in Yellow Face
2.2.4 Summary
2.3 Unnatural temporalities : disrupting the linearity of master narrative
2.3.1 Memories and flashbacks
2.3.2 Fusion of the impossible and the mundane
2.3.3 Summary
2.4 Anti-mimetic spaces: breaking fixed spatialities and creating heterotopias
2.5 Hwangs unnatural narrative and the notion of performativity
Chapter Three The Metadramatic:Generating Estrangement and Critiquing the Process of Performativity
3.1 Varieties of the metadramatic in Hwangs theatre
3.2 The play within the play:breaking the dramatic illusion
3.2.1 The play within the play in FOB
3.2.2 The play within the play in M. Butterfly
3.2.3 The play within the play in Golden Child
3.2.4 The play within the play in Yellow Face
3.3 Role playing within the role: creating double identities and negating homogeneity
3.3.1 Role playing within the role in FOB
3.3.2 Role playing within the role in M. Butterfly
3.3.3 Role playing within the role in Yellow Face
3.3.4 Role playing within the role in Hwangs other plays
3.4 Self-reference: creating estrangement and urging the audience to reconsider reality
3.4.1 Self-reference in M. Butterfly
3.4.2 Self-reference in Yellow Face
3.5 Hwangs metadrama and the deconstruction of essentialist views on identity
3.5.1 The function of the play within the play
3.5.2 The function of role playing within the role
3.5.3 The function of self-reference
3.5.4 The function of other metadramatic devices
Chapter Four Heterotopic Stage Space:Opening Up Possibilities for a Color-Blind Communitas
4.1 Heterotopia: a liminal space
4.2 Heterotopia in/and theatre
4.3 Heterotopic spaces in the performances of Hwangs plays
4.3.1 Real spaces that have heterotopic qualities in Hwangs plays
4.3.2 Imagined heterotopias in Hwangs plays
4.3.3 Multimedia performances in Yellow Face:creating a heterotopia to express the fluidity of space and identity
4.4 Hwangs heterotopic stage space and the setting-up of a color-blind communitas
Chapter Five Conclusion
Appendix
An Interview with David Henry Hwang
Performative Identity on a Liminal Stage: An Interview with David Henry Hwang
Bibliography
内容摘要
本书试图以黄哲伦的主要剧作为研究对象，从叙事形式、戏剧结构和剧场空间三个层面探讨黄氏后现代剧场美学。该书强调，黄哲伦本着形式为内容服务的原则，以后现代剧场美学很好地演绎了身份的表演性与流动性，彰显了形式与内容之间的辩证统一关系。
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