Introduction Chapter One Aesthetic Judgments of Repetitions in Raymond Carver's Short Stories 1.1 Aesthetic Judgments of Verbal Repetition in "Intimacy" 1.2 Aesthetic Judgments of Sentence Repetition in "Why, Honey?" 1.3 Aesthetic Judgments of Multiple Repetitions in "So Much Water So Close to Home".
Chapter Two kyricality and Portraiture in the Progression of Raymond Carver's Short Stories 2.1 Lyricality in the Progression of "What We Talk About When We Talk About Love" 2.2 Blending of Portraiture and Lyricality in the Progression of "The Compartment". 2.3 Portraiture in the Progression of "Kindling"
Chapter Three Foregrounding of the Synthetic Component of the Readerly Interest in Raymond Carver's Short Stories 3.1 Covert Synthetic Foregrounding in "Fever" 3.2 Overt Synthetic Foregrounding in "Blackbird Pie" 3.3 Ambivalent Synthetic Foregrounding in "Cathedral" Conclusion Works Cited
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