意大利文艺复兴时期的祭坛画（文艺复兴经典书系）

第1章 引言：遗存问题···········································································027
第2章 基督教早期祭坛装饰···································································029
第3章 第一批祭坛装饰············································································032
第4章 1400年之前意大利的祭坛雕刻···················································034
第5章 文艺复兴时期的祭坛雕刻····························································037
第6章 祭坛雕刻：小结············································································040
第7章 早期意大利祭坛画·········································································042
第8章 14世纪的多折板············································································046
第9章 文艺复兴时期多折板的遗存·························································049
第10章 统一的祭坛画：初论···································································053
第11章 圣契图：空间与光·······································································055
第12章 圣契图：圣母与圣徒···································································064
第13章 圣契图：圣子与天使···································································072
第14章 圣契图中的供养人肖像·······························································086
第15章 16世纪圣契图的变革··································································088
第16章 荣赞圣母的其他图画···································································101
第17章 叙事性祭坛画：初论···································································118
第18章 圣母和基督的生平场景·······························································120
第19章 受难与复活的场景·······································································130
第20章 圣徒的生平场景···········································································143
第21章 17世纪的发展··············································································149

索引·················································································································150

祭坛画是一种画在木板上，安置在教堂圣坛前面的宗教画，文艺复兴时期的祭坛画具有典型意义，如《后的审判》《根特祭坛画》都是著名的艺术经典，比如后者在绘画史上的意义，远远超出了一般的思想内容和艺术形式处理上的革新和独创，而是开创了整个欧洲绘画的新纪元。本书是关于对文艺复兴的祭坛画进行系统研究的著作，是艺术史中的重要文献，其价值在20世纪90年代开始被人们发现并重视。

祭坛画是一种画在木板上，安置在教堂圣坛前面的宗教画，文艺复兴时期的祭坛画具有典型意义，如《最后的审判》《根特祭坛画》都是著名的艺术经典，比如后者在绘画史上的意义，远远超出了一般的思想内容和艺术形式处理上的革新和独创，而是开创了整个欧洲绘画的新纪元。本书是关于对文艺复兴的祭坛画进行系统研究的著作，是艺术史中的重要文献，其价值在20世纪90年代开始被人们发现并重视。

作者雅各布·布克哈特，19世纪瑞士杰出的文化史、艺术史家，其代表作《意大利文艺复兴时期的文化》在国内一直盛销不衰。

【目录】
译者前言······························································································  ····001
英文版前言··································································································020

第1章  引言：遗存问题···········································································027
第2章  基督教早期祭坛装饰···································································029
第3章  批祭坛装饰············································································032
第4章  1400年之前意大利的祭坛雕刻···················································034
第5章  文艺复兴时期的祭坛雕刻····························································037
第6章  祭坛雕刻：小结············································································040
第7章  早期意大利祭坛画·········································································042
第8章  14世纪的多折板············································································046
第9章  文艺复兴时期多折板的遗存·························································049
第10章  统一的祭坛画：初论···································································053
第11章  圣契图：空间与光············