《An Album of Contemporary Chinese Paintings(中国当代国画)》内容简介:this new art genre had rapidly reached its maturity. However, after its further development in the Ming Dynasty
《An Album of Contemporary Chinese Paintings(中国当代国画)》是由五洲传播出版社出版的。 目录
Figure Paintings Portrait of Master Hongyi Approaching the American Indians Lin Daiyu Buries Fallen Flowers The Legend of the White Snake Telling a Heroic Story Each Grain of Rice Costs Someone Else a Drop of Sweat Four Generations of a Family Portrait of a Bride of Taiwan's Paiwan Nationality Golden Autumn Share the Pleasure of Reading a Rare Piece of Writing and Discuss Its Subtleties Together Portrait of an Old Fisherman Drama Characters Female Nude Bodies A Little Tibetan Yak Rider Portrait of a Tibetan Girl Portrait of a Tibetan Woman in Splendid Attire Drunkenness Portrait of a Beijing Resident Picture of Flying a Kite Pastoral Song A Mongolian Herding Family Dream of Dunhuang: Hope Autumn Harvest Springtide Turpan in August Picture of Pine Forest and Mountain Springs Portrait of Tibetan People Defending the Yellow River The Pure Land Portrait of a City Girl Fallen Petals Autumn The Song of the Yellow River A Group Portrait of Local People in Mt Daliang The Hall of Loyalty and Righteousness Yang Zhi Selling His Treasured Sword in Bianliang City Three Models and a Finished Still-life Sketch Rosy Memories Watching a Fire from the Other Side of the River Scenes of Family Life Embroidering Girls Piety Gentle Breeze Warm Room (Ⅰ) Warm Room (Ⅱ) Cicadas Singing at High Noon Enjoying the Mountain Scenery Composite Head Portraits and Landscape Paintings
Landscape Paintings Mount Xiang (Elephant) in the Morning The Lijiang River A Sketch of Shengouwan Village in Taihang Mountain Village Houses in South China A Residential Area in Hainan Province Mountain Scenery Green Hills and Blue Waters Drinking Horses and Weeping Willows The Bird Islet Windless Beach An Old Man Squatting at the Foot of a Hill Landscape Spring Waters and Emerald Hills Boatmen's Song Stillness White Beans Sitting in Meditation Autumn Stream Mount Miaofeng ……
Flower-and-bird paintings 序言
During the Northern and Southern Song dynasties (960-1279), poet and painter Su Shi (1037-1101 ) and others began to convey personal feelings by portraying landscape, flowers, birds, trees and rocks, thus planting the seeds of literati painting. In the following Yuan Dynasty (1279-1368), mostly owing to the artistic experiments of painter Zhao Mengfu (1254-1322), this new art genre had rapidly reached its maturity. However, after its further development in the Ming Dynasty (1368-1644), the creation of literati paintings gradually revealed a certain trend toward formulism under the brushes of the four Wangs, namely Wang Shimin (1592-1680), Wang Jian (1598-1677), Wang Shigu (1632-1717), and Wang Yuanqi (1646-1715), all court painters of the Qing Dynasty (1644-1911), —— which had invited widespread criticisms. During the New Culture Movement (1915-1919) hosts of Chinese painters went to Japan and Europe to learn painting, and used the Western experiences in modeling and coloring for reference in an effort to reform China's traditional painting techniques.
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