艺术家调色板：50 位伟大艺术家 The Artist's Palette 艺术画册
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北京通州
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作者Alexandra Loske
出版社Thames & Hudson
ISBN9780500027776
出版时间2024-10
装帧精装
上书时间2024-12-27
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Publisher : Thames and Hudson Ltd (3 Oct. 2024)
Language : English
Hardcover : 256 pages
ISBN-10 : 0500027773
ISBN-13 : 978-0500027776
Dimensions : 21.4 x 2.6 x 27.3 cm
五十位世界知名艺术家的颜料调色板与艺术家使用这些色调创作的画作一起展示，并对所使用的颜色和笔触进行分析，以揭示关于每位艺术家及其作品的令人惊讶的新故事。
这本启示性书籍按时间顺序排列，涵盖了从 17 世纪至今的艺术家，包括阿尔泰米西娅·真蒂莱斯基、保罗·塞尚、贝尔特·莫里索、文森特·梵高、瓦西里·康定斯基、乔治亚·欧姬芙和布里奇特·赖利。每个艺术家的调色板——无论是照片上的还是自画像中可见的——都与艺术家的一件或多件作品配对，这些作品反映了调色板上剩余颜料的颜色。色彩专家兼艺术史学家亚历山德拉·洛斯克（Alexandra Loske）巧妙地分析了每位艺术家的调色板和笔触，不仅准确地揭示了他们在作品中如何使用色彩，还讲述了他们的色彩之旅故事以及他们的方法对更广泛的文化的影响。他们属于。例如，乔治·修拉（Soross Seurat）精心地将调色板上的颜料按棱柱顺序排列，隔离颜色并将每种颜色与白色颜料斑点配对。他的点画方法在他的调色板和画布上同样明显。克里·詹姆斯·马歇尔 (Kerry James Marshall) 在其肖像画中，在黑人艺术家所持有的象征性炒大白色调色板的表面上使用了锌白斑点和浅粉色斑点，引发了关于色彩在黑人历史和西方白人艺术故事中的作用的挑衅性问题。
艺术家调色板 将吸引艺术史观众，更广泛的观众渴望更多地了解伟大艺术家和业余画家在创作自己作品时寻找灵感的色彩运用。
The paint-loaded palettes of fifty world-renowned artists are displayed alongside the paintings the artists created using those hues, and the colours and brushstrokes employed are analysed to uncover surprising new stories about each artist and their work.
Presented broadly chronologically, the artists featured in this revelatory book range from those working in the 17th century to the present day, including Artemisia Gentileschi, Paul Cézanne, Berthe Morisot, Vincent Van Gogh, Wassily Kandinsky, Georgia O’Keeffe and Bridget Riley. Each artist’s palette – whether photographed or visible in self-portraits – is paired with one or more works by the artist that reflect the colours of the paint remaining on the palette. Colour expert and art historian Alexandra Loske skilfully analyses each artist’s colour palette and brushstrokes to reveal not only exactly how they used colour in their work but also to tell the story of their journey with colour and the influence of their approach on the wider culture to which they belonged. For example, Soross Seurat meticulously arranged the paints on his palette in prismatic order, isolating the colours and pairing each with a blot of white paint. His pointillist technique was equally apparent on his palette and his canvas. Kerry James Marshall uses blots of zinc white and smears of pale pink on the surfaces of symbolically oversized white palettes held by black artists in his portraits, raising provocative questions about the role of colour in the story of black history and white western art.
The Artist’s Palette will appeal to an art history audience, a wider audience eager to learn more about the use of colour by the great artists and amateur painters looking for inspiration in the creation of their own work.
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