The Polyhedrists:Art and Geometry in the Long Sixteenth Century 多面体:16世纪艺术和几何形状
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作者Noam Andrews 著
出版社MIT Press
ISBN9780262046640
出版时间2022-05
装帧平装
页数320页
上书时间2024-07-03
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出版社 : The MIT Press (2022年 5月 3日)
语言 : 英语
平装 : 320页
ISBN-10 : 0262046644
ISBN-13 : 978-0262046640
商品重量 : 1.05 Kilograms
尺寸 : 16.21x2.67x24.13 cm
页面参数仅供参考，具体以实物为准
■内容简介——
现代早期艺术与几何关系的历史。
在《多面体者》中，诺姆·安德鲁斯展现了早期现代欧洲艺术与几何学之间关系的历史，主要通过一群开创性的工匠艺术家（其中包括卢卡·帕乔利、阿尔布雷希特·丢勒、温泽尔·贾姆尼策和洛伦兹·斯托尔）来讲述。 并详细分析了他们作品丰富的视觉效果，包括绘画、版画、装饰艺术、橱柜和插图丰富的论文。 但这也是多面体本身的艺术史，是不断发展的艺术智慧的象征，其中包括一系列不同的几何图形——既有柏拉图式的，或规则的，如简单的四面体，也有阿基米德式的，或不规则的，如复杂但令人着迷的 菱形二十面体。
此外，多面体主义者认为丢勒、贾姆尼策尔等人的几何描绘。 从早期的角度来看，这些想法远远不只是愚蠢的行为，与当代文艺复兴时期的观点相悖，并且注定会被后来更高水平数学的发展所取代。 事实上，固体演变为无数“不规则物体”，构成了文艺复兴时期数学知识的表述及其与物质性的接触的持续时刻。 这个激烈的实验领域将诞生一种新的几何抽象语言，它将引发一个世纪的新颖形式制作策略，最终为十九世纪和二十世纪初几何学和拓扑学的发展铺平道路，甚至预示着最近的数字化转动。 从这个意义上说，这本书不仅是一部几何学的应用史，也不仅仅是一些较著名的实践者对早期现代艺术的特殊几何解读，而是对迄今为止尚未探索的艺术和科学领域的一份宣言。
A history of the relationship between art and geometry in the early modern period.
In The Polyhedrists, Noam Andrews unfolds a history of the relationship between art and geometry in early modern Europe, told largely through a collective of ground-breaking artisan-artists (among them, Luca Pacioli, Albrecht Dürer, Wenzel Jamnitzer, and Lorentz Stöer) and by detailed analysis of a rich visual panoply of their work, featuring paintings, prints, decorative arts, cabinetry, and lavishly illustrated treatises. But this is also an art history of the polyhedra themselves, emblems of an evolving artistic intelligence, which include a varied set of geometrical figures—both Platonic, or regular, like the simple tetrahedron, and Archimedean, or irregular, like the complex yet beguiling rhombicosidodecahedron.
Moreover, The Polyhedrists argues that the geometrical depictions of Dürer, Jamnitzer et al. were far more than mere follies from the dawn of perspective, at odds with a contemporary view of the Renaissance, and destined to be superseded by later developments in higher level mathematics. In fact, the evolution of the solids into innumerable “irregular bodies” constituted a sustained moment in the formulation of Renaissance mathematical knowledge and its engagement with materiality. This intense field of experimentation would birth a new language of geometrical abstraction that would ignite a century of novel form-making strategies, ultimately paving the way for developments in geometry and topology in the nineteenth and early twentieth centuries, and even prefiguring the more recent digital turn. The book, in this sense, is not just an applied history of geometry, nor a particular geometric reading of early modern art through some of its more celebrated practitioners, but a manifesto of sorts into the hitherto unexplored wilds of art and science.
名人推荐——
2022 年 DAM 建筑图书奖获得者
2022 年瑞士图书奖得主
铜牌，世界上美丽的书籍，2022 年
Celebrity recommendations
Winner of the DAM Architectural Book Award, 2022
Winner of the Most Beautiful Swiss Books, 2022
Bronze Medal, The Most Beautiful Books in the World, 2022
作者简介——
诺姆·安德鲁斯 (Noam Andrews)，历史学家和建筑师，比利时根特大学艺术与哲学学院研究员。 他曾在根特大学、纽约大学和建筑协会建筑学院 (AA) 任教，并获得佛兰德斯研究基金会 (FWO)、Villa I Tatti、哈佛大学中心的奖学金 意大利文艺复兴研究中心和马克斯·普朗克科学史研究所。
About the author
Noam Andrews, a historian and architect, is Research Fellow in the Faculty of Arts and Philosophy at Ghent University, Belgium. He has taught at Ghent University, New York University, and the Architectural Association School of Architecture (AA), and has been the recipient of fellowships from Research Foundation Flanders (FWO), the Metropolitan Museum of Art, Villa I Tatti, Harvard University Center for Italian Renaissance Studies, and the Max Planck Institute for the History of Science.
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