不再是一个瘦弱的少年,李和迪特科拓宽了他的朋友和敌人网络,格温-斯泰西(Gwen Stacy)、哈里-奥斯本(Harry Osborn)和玛丽-简-沃森(Mary Jane Watson)相继登场,在一系列搞笑的客串中,这些角色将发展成为所有漫画中深厚、重要的配角之一。同时登场的还有哈里的父亲诺曼-奥斯本,这位脾气暴躁的实业家后来成为蜘蛛侠可怕的敌人。同时,彼得与贝蒂-布兰特跌宕起伏的恋情也将达到高潮,两人都将从此改变。
Their collaboration on Spider-Man couldn’t last forever―but the five-years of Stan Lee and Steve Ditko’s remarkable partnership lasted long enough for their character to evolve into a timeless icon and create a fandom that would last generations. TASCHEN’s second volume of Amazing Spider-Man stories collects the latter half of the duo’s magnum opus, featuring brand new arch-villains the Scorpion, Molten Man, and the Crime-Master, return engagements with Kraven the Hunter and the Green Goblin―and the three-part “Master Planner Saga” that reignited a feud with an iconic mystery villain, and left behind what many comics critics declare to be the greatest super hero story of all time.
Beyond the action that faced Spider-Man―all choreographed with aplomb by the master stylist Ditko―there was also the matter of Peter Parker’s maturation during a decade of social upheaval and change. With Stan Lee’s blend of soap opera melodramatics and finger-on-the-pulse social sensitivities, Peter graduated from high school to college and started to deal with a myriad of adult struggles, mirroring the life experiences of the book’s readership. A scrawny teenager no more, Lee and Ditko would widen his network of friends and frenemies, debuting Gwen Stacy, Harry Osborn, and, in a series of hilarious cameos, Mary Jane Watson―all characters that would develop into one of the deepest and most substantive supporting casts in all of comics. Also introduced is Harry’s father, Norman Osborn, the short-tempered industrialist who would later be revealed as Spider-Man’s most dreaded foe. Meanwhile, Peter’s up-and-down romance with Betty Brant would reach its culmination with both changed forever.
Collected in an XXL-size volume that closely simulates the size and proportions of the original comic artboards, all individual issues have been sourced from the collection of Bob Bretall, holder of the Guinness World Record for largest comics collection. Bretall’s pedigreed collection has been photographed using TASCHEN’s sterling reproduction methods, resembling the way these comics first looked when initially published in 1965 and 1966, while also being digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing. A custom paper stock was exclusively developed for this series to simulate the newsprint feel and color holding of the original comics. The Marvel Comics Library has earned well-deserved raves from comic collecting diehards for combining an old school comic book reading experience with a luxurious oversized book format, winning the industry’s coveted Eisner Award for Best Publication Design.
Complementing the comics is an incisive and often side-splitting essay by British TV and radio host Jonathan Ross. Accompanying his essay is a gallery of original art, photographs, rarities, and other ephemera of the era.
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