Andrew Wyeth: Life and Death 安德鲁怀斯：生与死
￥ 278 7.2折 ￥ 384 九五品
库存2件
作者Andrew Wyeth
出版社DelMonico Books
ISBN9781636810348
出版时间2022-06
印刷时间2022-06
印数1千册
装帧精装
开本16开
纸张铜版纸
页数143页
字数1千字
定价384元
上书时间2024-12-17
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✦产品信息——
出版社 : DelMonico Books/Colby College Museum of Art (2022年 6月 7日)
语言 : 英语
精装 : 143页
ISBN-10 : 1636810349
ISBN-13 : 978-1636810348
商品重量 : 778 g
尺寸 : 20.96 x 1.27 x 26.04 cm
页面参数仅供参考，具体以实物为准
✦内容简介——
《生与死》展示了近期重新发现的画作，探讨了在怀斯晚期职业生涯和当代美国艺术的背景下，艺术家描绘自己的死亡意味着什么
这本书展示了一系列20世纪90年代初的铅笔素描，通过这些素描，惠氏想象了自己的葬礼。主要艺术史学家的章节探讨了在惠氏晚期职业生涯和当代美国艺术的背景下描绘自己死亡的意义。这本书将葬礼系列与惠氏数十年来将死亡作为绘画艺术主题的参与，他与所描绘的模型的关系，以及他将绘画作为表达和探索媒介的使用联系起来。它进一步将怀斯的作品插入到自20世纪60年代以来在美国艺术中发展起来的关于死亡和自画像的更大讨论中，其中包括杜安·迈克尔斯、安迪·沃霍尔、大卫·沃纳洛维奇、乔治·图克、Janaina Tschäpe和马里奥·摩尔的作品。虽然他的同时代人在描绘自己的死亡时提出了各种存在主义问题，但在冠状病毒大流行和2020年出现的全国对种族不平等的清算之后，那些质疑死亡作为一种人类经历的普遍性的问题变得尤为紧迫。安德鲁·怀斯:《生与死》讲述了当下普遍存在的关于失去、悲伤、脆弱和死亡的想法。
美国画家安德鲁·怀斯(1917-2009)一生都生活在他的出生地宾夕法尼亚州查兹福特，以及他在缅因州中部海岸的避暑别墅。他70年的职业生涯都花在描绘他所了解和关心的土地和人民上。以他的蛋彩画《克里斯蒂娜的世界》(1948)而闻名，惠氏以一种高度个人化的方式在艺术表现和抽象之间导航。
Presenting recently rediscovered drawings, Life and Death explores what it means for an artist to picture their own death, in both the context of Wyeth’s late career and contemporary American art
This volume presents for the first time a recently rediscovered series of pencil drawings from the early 1990s, through which Wyeth imagined his own funeral. Chapters by leading art historians explore the significance of picturing one’s own death in both the context of Wyeth’s late career and contemporary American art. The book connects the funeral series to Wyeth’s decades-long engagement with death as an artistic subject in painting, his relationships with the models depicted, and his use of drawing as an expressive and exploratory medium. It further inserts Wyeth’s work into a larger conversation about mortality and self-portraiture that developed in American art since the 1960s, and includes works by Duane Michals, Andy Warhol, David Wojnarowicz, George Tooker, Janaina Tschäpe and Mario Moore. While his contemporaries posed a variety of existential questions in picturing their own passing, those that interrogate the universality of death as a human experience have become especially urgent in the wake of the coronavirus pandemic and the national reckoning with racial inequality that emerged in 2020. Andrew Wyeth: Life and Death thus addresses ideas about loss, grief, vulnerability and (im)mortality that pervade the current moment.
American painter Andrew Wyeth (1917–2009) lived his entire life in his birthplace of Chadds Ford, Pennsylvania, and his summer home in mid-coast Maine. His seven-decade career was spent painting the land and people that he knew and cared about. Renowned for his tempera painting Christina's World (1948), Wyeth navigated between artistic representation and abstraction in a highly personal way.
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