Michelangelo and Beyond 米开朗基罗及其他
￥ 418 6.9折 ￥ 605 九五品
仅1件
作者Eva Michel
出版社Prestel Publishing
ISBN9783791377162
出版时间2023-10
印刷时间2023-10
印数1千册
装帧精装
开本16开
纸张轻型纸
页数264页
字数1千字
定价605元
上书时间2024-12-17
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●产品信息——
出版社 : Prestel (2023年 12月 5日)
语言 : 英语
精装 : 264页
ISBN-10 : 3791377167
ISBN-13 : 978-3791377162
商品重量 : 567 g
页面参数仅供参考，具体以实物为准
●内容简介——
本展览目录以米开朗基罗为起点，描绘了西方世界人物画的演变过程，并探讨了他对同时代和后世的巨大影响。
米开朗基罗的裸体素描以描绘英雄形象而著称。他的裸体表现出非凡的力量、磅礴的气势和强烈的情感，成为几个世纪以来人物画的标准代表。本书通过引人入胜的文字和生动的素描、版画和雕塑复制品，探讨了这一理想的传承。除了米开朗基罗的主要作品--包括为西斯廷教堂绘制的素描、未完成的卡西纳战役壁画和教皇尤利乌斯二世的陵墓--读者还将拉斐尔、丢勒、伦勃朗、鲁本斯、克里姆特和席勒的作品。
每一章都重点介绍了米开朗基罗理想中人体的一个重要方面，并研究了其同时代和后来的艺术家对人体的影响和改编。这些主题包括：亚当和夏娃、耶稣受难和《圣像》的描绘，以及《大力神的苦役》等神话主题；米开朗基罗的创作方法是如何在 17 世纪到 19 世纪的艺术学校中传授的；女性作为主题的出现；以及理想化人体形象在现代主义时期的衰落。这些并列的比较提供了关于艺术家如何描绘人体的深刻见解--将人体作为美德和英雄主义的典范，以及作为罪恶和脆弱的传播者。这些文本和实例为研究人体形态和西方艺术史的学生提供了资源。
This exhibition catalog charts the evolution of figure drawing in the western world, starting with Michelangelo, and explores his enormous influence over his contemporaries and later generations.Michelangelo’s nude drawings are celebrated for their depiction of the heroic figure. Emanating exceptional strength, monumentality, and vigorous emotions, his nudes became the standard bearers for centuries of figure drawing. This book examines the legacy of that ideal, through highly engaging texts and luminous reproductions of drawings, prints, and sculptures. In addition to key works by Michelangelo—including drawings for the Sistine Chapel, the unfinished fresco of the Battle of Cascina, readers will discover works by Raphael, Dürer, Rembrandt, Rubens, Klimt, and Schiele.
Each chapter highlights a significant aspect of Michelangelo’s ideal of the human body and investigates its influence and adaptation by his contemporaries and subsequent artists. Topics such as depictions of Adam and Eve, the Crucifixion and the Pietà, and motifs from mythology s
uch as the Labors of Hercules; how Michelangelo’s methods were taught in art schools from the 17th to the 19th century; the emergence of woman as subject; and the decline of the idealized human figure during modernism. These side-by-side comparisons provide generous insights into how artists portrayed the human body—as a model of virtue and heroism, and as a conveyor of vice and fragility. Together these texts and examples provide the perfect resource for students of the human form and of the history of western art.
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