女性为女性着装 Women Dressing Women: A Lineage of Female Fashion Design
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作者Huber
出版社The Met
ISBN9781588397201
出版时间2023-11
印刷时间2023-11
印数1千册
装帧精装
纸张铜版纸
页数212页
字数1千字
定价510元
上书时间2024-11-29
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✦产品信息——
出版社 : Metropolitan Museum of Art (2023年 12月 5日)
语言 : 英语
精装 : 212页
ISBN-10 : 1588397203
ISBN-13 : 978-1588397201
商品重量 : 1.34 Kilograms
尺寸 : 23.1 x 6.7 x 29.8 cm
页面参数仅供参考，具体以实物为准
✦内容简介——
这项以 20 世纪和 21 世纪为中心的女性时装设计调查强调了女性创作者的创造力和艺术遗产“这本书适合给对女性时装设计师感兴趣的读者，特别是那些今天并不出名的女性时装设计师。”——桑德拉·罗森伯格，《图书馆杂志》（星级评论）这本书探索了由女性创造并为女性设计的时装的持久影响，追溯了 70 多位女性设计师的历史和概念谱系——从 18 世纪法国不知名的裁缝到引领当今时尚方向的当代裁缝——所有这些都是从服装学院令人难以置信的收藏中精选出来的。深刻的文章考虑了匿名性、可见性、能动性和缺席/遗漏的概念，揭示了女性在时尚领域的影响，突出了设计师和被遗忘的历史。该出版物包括 Mad Carpentier、Elsa Schiaparelli 和 Madeleine Vionnet 等时装公司，Ann Lowe、Claire McCardell 和 Isabel Toledo 等美国制造商，以及 Rei Kawakubo、Anifa Mvuemba、Simone Rocha 和 Iris van Herpen 等当代设计师。专门为这本书创作的新摄影作品利用光、影和反射将服装与文章的四个主题联系起来，将作品置于更大的社会背景中，折叠式家谱图追溯了所介绍的制造商之间的联系。
This survey of women-led fashion design centered around the twentieth and twenty-first centuries emphasizes the creative agency and artistic legacy of female creators
“This excellent book is recommended for readers interested in women fashion designers, particularly those who are not well-known today.”—Sandra Rothenberg, Library Journal (starred review)
Exploring the enduring impact of fashions created by and for women, this book traces a historical and conceptual lineage across more than 70 female designers— from unidentified dressmakers in eighteenth-century France, to contemporary makers who are leading the direction of fashion today—all culled from the incredible permanent collection of The Costume Institute. Insightful essays that consider notions of anonymity, visibility, agency, and absence/omission reveal women’s impact within the field of fashion, highlighting celebrated designers and forgotten histories alike. The publication includes fashion houses such as Mad Carpentier, Elsa Schiaparelli, and Madeleine Vionnet, American makers like Ann Lowe, Claire McCardell, and Isabel Toledo, along with contemporary designers such as Rei Kawakubo, Anifa Mvuemba, Simone Rocha, and Iris van Herpen. New photography, created especially for this volume, uses light, shadow, and reflection to connect the garments to the four themes of the essays, which situate the works within a larger social context, and a fold-out genealogical chart traces connections between the makers featured. This overdue look at women-led design will be essential reading for anyone interested in the history of fashion.
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