嵌入的画像 The Embedded Portrait: Giotto, Giottino, Angelico
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作者Christopher S. Wood
出版社Princeton University Press
ISBN9780691244266
出版时间2023-11
印刷时间2023-11
印数1千册
装帧精装
纸张铜版纸
页数376页
字数1千字
定价750元
上书时间2024-11-18
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✦产品信息——
出版社 : Princeton University Press
出版日期：2023年 11月 14日
语言 : 英语
精装 : 376页
ISBN-10 : 069124426X
ISBN-13 : 978-0691244266
尺寸 : 19.69 x 2.54 x 27.94 cm
页面参数仅供参考，具体以实物为准
✦内容简介——
在 14 世纪的意大利，越来越多的女性和男性--不仅是神职人员，也包括普通人--将自己的肖像引入圣画中。顺从和祈祷的现代祈求者形象与神圣的叙事共享空间。这些肖像模仿了三位人物： 马利亚、三位法师、抹大拉的马利亚。与此同时，他们还为现代观众塑造了理想的角色，让他们参与到充满情感的故事中。在《嵌入的肖像》一书中，克里斯托弗-S-伍德追溯了从乔托到弗拉-安吉利科之间佛罗伦萨圣画中这些真实与亵渎的入侵。肖像画不仅闯入了神圣的空间，还介入了艺术作品。现代入侵者所施加的压力--他们的肖像所暗示的他们的生活和经历--威胁到了形式上的封闭性，而这种封闭性曾是上帝与人类之间契约的一种强有力的象征形式。《嵌入的肖像》从艺术家而非赞助人的角度重构了这场艺术史戏剧。根据瓦萨里留下的线索，本书将主角赋予了画家乔蒂诺，或称 "小乔托"。乔蒂诺如今鲜为人知，但在他生前却备受推崇，他提出了一种新的绘画方式，后来弗拉-安杰利科（Fra Angelico）通过自己对嵌入式肖像问题的创新方法实现了这种新方式。《嵌入的肖像》中提供的诠释不是为了稳定艺术作品，而是为了扩大其影响范围，重新创造和更新了最初产生这些作品的能量。
In fourteenth-century Italy, ever more women and men—not only clergy but also laity—introduced their own portraits into sacred paintings. Images of modern supplicants, submissive and prayerful, shared space with the holy narratives. The portraits mimicked the first worshippers of Christ: Mary, the Three Magi, Mary Magdalene. At the same time, they modeled, for modern viewers, ideal involvement in the emotion-laden stories. In The Embedded Portrait, Christopher S. Wood traces these incursions of the real and profane into Florentine sacred painting between Giotto and Fra Angelico.
The portraits not only intruded upon a sacred space, but also intervened in an artwork. The pressure exerted by the modern interlopers—their lives and experiences, implied by their portraits—threatened the formal closure that had served as a powerful symbolic form of the pact between God and humans. The Embedded Portrait reconstructs this art historical drama from the point of view of the artists rather than the patrons. Following clues left by Vasari, the book assigns a leading role to the painter Giottino, or “little Giotto.” Little-known today but highly regarded in his lifetime, Giottino proposed a new manner of painting that was later realized by Fra Angelico through his own innovative approach to the problem of the embedded portrait.
Seeking not to stabilize the artworks but to extend their reach, the interpretations offered in The Embedded Portrait re-create and update the psychic and libidinal energies that gave rise to these works in the first place.
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