李-弗里德兰德(生于 1934 年)在他的史诗系列《人类粘土》(The Human Clay)中,为工作的人们谱写了一曲颂歌。这些照片取材自他的档案,拍摄的是在街头、舞台、田野、工厂和荧光灯下的办公室里工作的人们。弗里德兰德以其敏锐的洞察力,观察了演员、销售人员和运动员的行动和休息状态。歌剧演唱者在中场表演,模特在后台捯饬,机械师在修补,电话推销员在忙活。
跨越六十年,这本人性化的作品集收录了 250 多张照片,其中许多是首次印刷出版。
From the stage to the factory: humanist portraiture of America’s workers
In the capstone volume of his epic series The Human Clay, Lee Friedlander (born 1934) has created an ode to people who work. Drawn from his incomparable archive are photographs of individuals laboring on the street and on stage, as well as in the field, in factories and in fluorescent-lit offices. Performers, salespeople and athletes alike are observed both in action and at rest by Friedlander's uncanny eye. Opera singers are caught mid-aria, models primp backstage, mechanics tinker and telemarketers hustle.
Spanning six decades, this humanizing compilation features over 250 photographs, many appearing here for the first time in print.
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