凝视者：十九世纪末法国的艺术与观众 Gawkers
￥ 480 7.3折 ￥ 657 九五品
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北京通州
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作者Bridget Alsdorf
出版社Princeton University
ISBN9780691166384
出版时间2022-03
印刷时间2022-03
印数1千册
装帧精装
纸张铜版纸
页数296页
字数1千字
定价657元
上书时间2024-10-11
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出版社 : Princeton University Press (2022年3月22日)
语言 : 英语
精装 : 296页
ISBN-10 : 0691166382
ISBN-13 : 978-0691166384
商品重量 : 1.32 kilograms
尺寸 : 21.59 x 2.54 x 27.94 cm
页面信息仅供参考，具体以实物为准
内容简介
城市观众如何成为现代观众的典型，并成为19世纪末法国艺术的核心主题
本书探讨了19世纪末巴黎的艺术家和作家如何通过被称为badauds的好奇的观众的眼睛来表现街头生活的诱惑、恐怖和平庸。与奇特而冷漠的资产阶级旅行者相比，"看客 "是被动的、集体的、本能的，而且非常容易受影响。重要的是，他们是视觉的，被日常生活中的景象所吸引。本书图文并茂，借鉴了大量的新研究，将巴达斯作为19世纪末法国文化中一个具有深刻意义的主题，作为艺术作品中的一个主题，以及作为现代观众的一个矛盾模型来挖掘。
窥视者深入研究了一个在很大程度上被忽视的人物，在文化和时事的边缘游手好闲，追踪了社会和审美问题的出现，这些问题今天仍然伴随着我们。
How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French art
Gawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known as badauds. In contrast to the singular and aloof bourgeois flâneur, badauds were passive, collective, instinctive, and highly impressionable. Above all, they were visual, captivated by the sights of everyday life. Beautifully illustrated and drawing on a wealth of new research, Gawkers excavates badauds as a subject of deep significance in late nineteenth-century French culture, as a motif in works of art, and as a conflicted model of the modern viewer.
Bridget Alsdorf examines the work of painters, printmakers, and filmmakers who made badauds their artistic subject, including Félix Vallotton, Pierre Bonnard, Henri de Toulouse-Lautrec, Honoré Daumier, Edgar Degas, Jean-Léon Gérôme, Eugène Carrière, Charles Angrand, and Auguste and Louise Lumière. From morally and intellectually empty to sensitive, empathetic, and humane, the gawkers these artists portrayed cut across social categories. They invite the viewer’s identification, even as they appear to threaten social responsibility and the integrity of art.
Delving into the ubiquity of a figure that has largely eluded attention, idling on the margins of culture and current events, Gawkers traces the emergence of social and aesthetic problems that are still with us today.
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