在过去的四十年里,弗朗索瓦-哈拉德(François Halard)在艺术、室内设计和文化领域拥有得天独厚的优势。作为《Vogue》和《World of Interiors》的首选摄影师,他拍摄了许多世界上最珍贵的空间。其中许多作品已收录在他的 Rizzoli 系列的前两卷中。新视野》是他三卷巨著中的最后一卷。
从电影导演米开朗基罗-安东尼奥尼(Michelangelo Antonioni)和女演员莫妮卡-维蒂(Monica Vitti)在萨德尼亚(Sardenia)的现代主义隐居,到画家赛-汤伯利(Cy Twombly)在意大利海岸的家庭度假屋,从野口勇(Isamu Noguchi)在日本的私人工作室,到路易斯-巴拉甘(Luis Barragan)在墨西哥的失传杰作,这些都是哈拉尔德迄今为止出版的私人图片。这些照片超越了单纯的记录,是哈拉尔德几十年来训练有素的眼光的结晶,能够透过空间看到其本质灵魂。作为艺术品和物品的爱好者和收藏家,哈拉尔德的每张照片都是通过观察获得的大师级作品。这里收集的照片在室内肖像、鉴定和文化 X 光透视之间穿梭,是个人独特视觉想象力的见证。
For the past four decades François Halard has had the most privileged view on the world of art, interior design, and culture. From his perch as the photographer of choice of Vogue to World of Interiors, he has captured many of the world’s most cherished spaces. Many of these have been catalogued in the first two volumes of his Rizzoli series. New Vision is the final of his three-volume magnum opus.
From film director Michelangelo Antonioni’s and actress Monica Vitti’s modernist hideaway in Sardenia to the painter Cy Twombly’s family retreat on the Italian coast, from Isamu Noguchi’s private studio in Japan to Luis Barragan’s lost masterpiece in Mexico, these are Halard’s most personal and intimate images yet published. Going beyond mere documentation, these photographs are the results of decades of a trained eye to see beyond the space into its essential soul. As the lover and collector of art and objects himself, each of Halard’s photo is a masterclass in acquiring by looking. Traversing between interior portraiture, authentication, and a cultural x-ray vision, the photographs collected here are a testament to a personal and unique visual imagination.
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