Hockneys Eye: The Art and Technology of Depiction 霍克尼之眼：描绘的艺术与技术
￥ 348 7.3折 ￥ 478 九五品
库存2件
北京通州
认证卖家担保交易快速发货售后保障
作者Martin Gayford
出版社Paul Holberton
ISBN9781913645120
出版时间2022-06
印刷时间2022-06
印数1千册
装帧精装
开本16开
纸张铜版纸
页数184页
字数1千字
定价478元
上书时间2024-08-22
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✦产品信息——
出版社 : Paul Holberton Publishing; 第 1st 版 (2022年 6月 6日)
语言 : 英语
精装 : 184页
ISBN-10 : 1913645126
ISBN-13 : 978-1913645120
商品重量 : 1.05 Kilograms
尺寸 : 24.13 x 2.03 x 27.94 cm
页面参数仅供参考，具体以实物为准
✦内容简介——
大卫-霍克尼独特艺术内部运作的新启示。
大卫-霍克尼是世界上著名、广受推崇的当代画家。这本生动的画册随同他在剑桥菲茨威廉博物馆、Heong 画廊和荷兰哈勒姆泰勒斯博物馆举办的大型展览一起出版。
在霍克尼漫长的职业生涯中，他探索了描绘可见世界的各种方式。他仔细研究了古代艺术大师的创作方法，并探索从根本上背离他们所珍视的假设。从文艺复兴时期到至少 19 世纪末，“西方艺术”一直以描绘自然为主。是通过直接观察（霍克尼称之为 “目视”），还是借助光学理论和设备（如照相机）？霍克尼尝试了各种现有的策略，公开使用透视法，并研究了模仿自然的光学辅助工具，包括暗箱照相机和明镜照相机。
这本书从传统的自然观察杰作以及现代科学和视觉技术的角度，探讨了霍克尼丰富多彩的职业生涯以及他所试验的光学设备的性质。本书在广泛的历史和当代背景下审视了他在观察和表现方面的惊心动魄的实验。书中进一步讨论了他的前摄影装置，最后还从神经科学和计算机视觉的角度对霍克尼的实验进行了论述。
New revelations on the inner workings of David Hockney’s unique art.
David Hockney is one of the best-known and most widely admired contemporary painters in the world. This vibrant catalog accompanies a major exhibition exploring his work at the Fitzwilliam Museum and the Heong Gallery in Cambridge and the Teylers Museum in Haarlem, Netherlands.
Throughout his long career, Hockney has explored diverse ways of depicting the visible world. He has scrutinized the methods of the old masters and explored radical departures from their cherished assumptions. “Western art” from the Renaissance until at least the late nineteenth century has been dominated by the depiction of nature. Was this to be accomplished by direct looking (called “eyeballing” by Hockney) or with the assistance of optical theory and devices, such as cameras? Hockney has experimented with the full range of existing strategies, overtly using perspective and investigating optical aids for the imitation of nature, including the camera obscura and camera lucida.
This volume explores the span of Hockney’s varied career and the nature of the optical devices he has tested, both in the setting of traditional masterpieces of naturalistic observation and in the context of modern sciences and technologies of seeing. The book looks at his thrilling experiments in seeing and representing in broad historical and contemporary contexts. It further discusses his pre-photographic devices and concludes with essays on Hockney’s experiments from the perspectives of neuroscience and computer vision.
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