Chinese Art and Dynastic Time 进口艺术 中国艺术与王朝时代
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北京通州
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作者Hung Wu
出版社Princeton University
ISBN9780691231013
出版时间2022-05
印刷时间2022-05
印数1千册
装帧精装
开本16开
纸张铜版纸
页数352页
字数1千字
定价801元
上书时间2024-07-05
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出版社 : Princeton University Press (2022年5月3日)
语言 : 英语
精装 : 352页
ISBN-10 : 069123101X
ISBN-13 : 978-0691231013
商品重量 : 1.43 kilograms
尺寸 : 20.32 x 3.18 x 26.67 cm
页面信息仅供参考，具体以实物为准
内容简介
对中国几千年艺术的审视，颠覆了传统观点，为艺术史提供了新的途径。
纵观中国历史，朝代时间--通过历代王朝的视角来组织历史--一直是叙述中国艺术故事的主导模式，尽管直到现在，在话语和实践中对这一概念的研究还很少。中国艺术与王朝时代》揭示了中国艺术的发展是如何在其原有的文化、社会政治和艺术背景下被描述的，以及这些叙述如何与同时代的艺术创作交织在一起。在此过程中，艺术史学家吴鸿不仅为考虑中国艺术，而且为考虑整个艺术史开辟了新的途径。
吴鸿汇集了十个案例研究，范围从公元前三千年到公元二十世纪初，横跨仪式和艺术、绘画、雕塑、建筑环境和大众艺术，以研究中国艺术历史概念化的根深蒂固模式。他阐明了在各种背景下不断变化的王朝时间概念，也对艺术史写作中把这一概念作为默认模式的做法提出挑战。因此，这种对王朝时间的批判性调查构成了在思考艺术史时追求新的叙述和解释框架的重要基础。
中国艺术与王朝时代》因其论点的广泛性和清晰的风格而引人注目，它探究了中国艺术中集体想象力的根源，并将我们从长期以来对如何理解这种艺术的观点中解放出来。
与华盛顿特区国家艺术馆视觉艺术高级研究中心联合出版。
A sweeping look at Chinese art across the millennia that upends traditional perspectives and offers new pathways for art history
Throughout Chinese history, dynastic time―the organization of history through the lens of successive dynasties―has been the dominant mode of narrating the story of Chinese art, even though there has been little examination of this concept in discourse and practice until now. Chinese Art and Dynastic Time uncovers how the development of Chinese art was described in its original cultural, sociopolitical, and artistic contexts, and how these narratives were interwoven with contemporaneous artistic creation. In doing so, leading art historian Wu Hung opens up new pathways for the consideration of not only Chinese art, but also the whole of art history.
Wu Hung brings together ten case studies, ranging from the third millennium BCE to the early twentieth century CE, and spanning ritual and religious art, painting, sculpture, the built environment, and popular art in order to examine the deep-rooted patterns in the historical conceptualization of Chinese art. Elucidating the changing notions of dynastic time in various contexts, he also challenges the preoccupation with this concept as the default mode in art historical writing. This critical investigation of dynastic time thus constitutes an essential foundation to pursue new narrative and interpretative frameworks in thinking about art history.
Remarkable for the sweep and scope of its arguments and lucid style, Chinese Art and Dynastic Time probes the roots of the collective imagination in Chinese art and frees us from long-held perspectives on how this art should be understood.
Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
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