Fortuny - Time, Space, Light 幸运：时间、空间、光
￥ 360 7.9折 ￥ 457 九五品
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北京通州
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作者Smith
出版社Yale University Press
ISBN9780300254150
出版时间2022-09
印刷时间2022-09
印数1千册
装帧精装
开本16开
纸张铜版纸
页数192页
字数1千字
定价457元
上书时间2024-07-01
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出版社 ? : ? Yale University Press; Prima edizione (First Edition) (2022年9月13日)
语言 ? : ? 英语
精装 ? : ? 192页
ISBN-10 ? : ? 0300254156
ISBN-13 ? : ? 978-0300254150
商品重量 ? : ? 1.12 kilograms
尺寸 ? : ? 22.23 x 2.06 x 27.51 cm
页面信息仅供参考，具体以实物为准
内容简介
揭示了设计师马里亚诺·福尔图尼的非凡广度，包括和超越他的时装作品，以及激发他的个人和政治催化剂。
马里亚诺·福尔图尼·马德拉索（Mariano Fortuny y Madrazo，1871-1949）是一位多面手，他在各种媒体上进行了实验，包括电灯、舞台设计、摄影、颜料的开发以及纺织品和服装设计。然而，作为一名画家，他对光线和色彩的执着追求，决定了他所有的艺术努力。
本书研究了福尔图尼在威尼斯的工作场所、服装设计、舞台灯光发明和绘画，找到了贯穿他广泛职业生涯的复兴主义、记忆、光线、魔法和秘密的统一主题。本书有新的档案发现，包括未曾见过的艺术作品和未发表的个人著作，以及对福图尼绘画的新分析，这在英语出版物中是从未讨论过的。除了提供其作品的历史背景和视觉分析外，该书还深入探讨了福尔图尼与普鲁斯特、瓦格纳歌剧和意大利法西斯主义之间的关系。它还旨在通过新的档案证据和未发表的笔记来阐明更多福尔图尼的个人动机，探讨他的物品收藏和图书馆如何被用作他创新创作的催化剂。
Uncovers the extraordinary breadth of designer Mariano Fortuny, including and beyond his fashion output, alongside the personal and political catalysts that inspired him
Mariano Fortuny y Madrazo (1871–1949) was a polymath who experimented in a variety of media including electric lighting, stage design, photography, the development of pigments, and textile and garment design. Yet his vision as a painter, persistently attuned to light and color, shaped all his artistic endeavors.
Fortuny: Time, Space, Light examines Fortuny’s Venetian workspaces, clothing designs, stage lighting inventions, and paintings to find unifying themes of revivalism, memory, light, magic, and secrecy that run throughout his wide-ranging career. It features new archival discoveries, including unseen artworks and unpublished personal writings, as well as a new analysis of Fortuny’s paintings, never-before discussed in an English-language publication. In addition to providing historical context and visual analysis of his work, the book delves into the relationships between Fortuny and Proust, Wagnerian opera, and Italian fascism. It also aims to illuminate more of Fortuny’s personal motivations through new archival evidence and unpublished notes to explore how his object collection and library were used as catalysts for his innovative creations.
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