Michelangelo's Sculpture 进口艺术 米开朗基罗的雕塑
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作者Leo Steinberg
出版社University of Chicago
ISBN9780226482576
出版时间2018-11
印刷时间2018-11
印数1千册
装帧精装
开本大16开
纸张铜版纸
页数320页
字数1千字
定价825元
上书时间2024-04-04
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•产品信息——
出版社：University of Chicago Press
出版日期：2018年11月
语言：英语
页数：320页
ISBN-10：022648257X
ISBN-13：978-0226482576
尺寸：285mm x220mm
页面参数仅供参考，具体以实物为准
•内容简介——
利奥·斯坦伯格是 20 世纪具有创造性和胆识的艺术史学家之一，他以冒险诠释而闻名，通过推翻正统理论来挑战艺术界。在从古代艺术大师到当代艺术的论文和演讲中，他将博学与雄辩的散文相结合，阐明了自己的主题，并信奉图像的视觉证据优于有关文献的信条。他的作品有时具有挑衅性和争议性，但仍然是极具生命力和影响力的读物。
半个世纪以来，斯坦伯格潜心研究米开朗基罗的作品，揭示了这位艺术家极富感染力的成语所蕴含的象征性结构。这本论文集和未发表的演讲稿阐释了米开朗基罗许多著名的雕塑作品，运用了从长期、艰苦的观察中总结出的原则。斯坦伯格所写的几乎所有文章都包含老式的形式分析段落，但在这里却被用于阐释。他明白，米开朗基罗对人物形象及其姿态和相互关系的描绘，在自然主义的伪装下传达出一种象征意义。米开朗基罗将文艺复兴时期的自然主义推向了隐喻的深处，用身体及其动作的语言来表达基督教的基本信条，而这些信条曾经只有诗人和传教士才能表达——或者正如斯坦伯格所说，在米开朗基罗的艺术中，"解剖学变成了神学"。
《米开朗基罗的雕塑》是斯坦伯格精选著作和未发表演讲系列丛书的第一卷，由他的长期助手希拉? 这本书还包括一篇书评，揭穿了精神分析学派对大师作品的解读；一篇关于米开朗基罗和医学界的轻松文章；最后是斯坦伯格有史以来发表的一篇文章。
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading.
For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.”
Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
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