HIERONYMUS BOSCH 耶罗尼米斯·博斯绘画作品集 进口艺术
美味的恶魔、噩梦般的生物和残暴的天使；没有一位画家能接近希罗尼姆斯-博世的奇幻计划。这本巨大的出版物以适当的比例展示了他的非凡作品，同时展示了他们的构图规模和神秘的细节。通过ZUI近修复的画作的新照片以及《ZUI后的审判》和《人间乐园》的华丽折页，深入了解这位艺术家的完整作品。
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北京通州
认证卖家担保交易快速发货售后保障
作者Stefan Fischer
出版社Taschen
ISBN9783836526296
出版时间2013-12
印刷时间2013-12
印数1千册
装帧精装
开本大16开
纸张铜版纸
页数300页
字数1千字
定价1277元
上书时间2022-12-15
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激进的文艺复兴
希罗尼穆师·博斯（Hieronymus Bosch），其真名为Jeroen van Aken，(1450--1516）文艺复兴时期荷兰画家。他是绘画世家的后代，多数的画作是在描绘罪恶与人类道德的沉沦。他的画作超乎人的想象，复杂多变，其中大量使用各种符号元素，有些作品让人晦涩难解。博斯被认为是20世纪的超现实主义的启发者之一。博斯存世的作品约有四十幅左右，但是除了七幅有署名以外，其他均年代不详。代表作品有《基督荷著十字架》《圣安东尼的诱惑》、《朝拜贤士》、《干草车》、《人间乐园》《荒野中的施洗者聖約翰》等。
他所创造的艺术形象继承了尼德兰民间艺术中幽默和风趣的成份，同时还吸收了意大利、德国艺术中的精华。博斯晚期的作品无论是构图和造型，还是色彩和笔触都 具有新的创见和高深的造诣。博斯在美术史上历来被认为是个不可思议的画家，他那充满着奇思怪想的画面像迷一样难解，其实他所创造的艺术形象并非凭空臆造， 而是为了表现自己强烈的反封建思想。他从传统的哥特式雕塑中、中世纪动物故事插图、色彩抄本和中世纪的宝石古钱币中吸收有意思的形象，同时还借用占星术来间接表达自己的思想。他的艺术创造和影响是超越时空的，他被誉为“现代绘画的始祖。
作者
斯特凡-菲舍尔在明斯特、阿姆斯特丹和波恩学习艺术史、历史和古典考古学。2009年，他完成了博士论文 "Hieronymus Bosch: Malerei als Vision, Lehrbild und Kunstwerk"。他的专业领域是15至17世纪的尼德兰绘画和博物馆学。
Renaissance Radical
In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Netherlandish painter Hieronymus Bosch (c. 1450–1516) was more than an anomaly. Bosch’s paintings are populated with grotesque scenes of fantastical creatures succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch’s day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was “skating on ice”―meaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator.
Bosch―whose real name was Jheronimus van Aken―was widely copied and imitated: the number of surviving works by Bosch’s followers exceeds the master’s own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch’s oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons.Featuring brand new photography of recently restored paintings, this exhaustive book, published in view of the upcoming 500th anniversary of Bosch’s death, covers the artist’s complete works. Discover Bosch’s pictorial inventions in splendid reproductions with copious details and a huge fold-out spread, over 110 cm (43 in.) long, of The Garden of Earthly Delights. Art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and his painting that proved so immensely influential.
The author
Stefan Fischer studied art history, history, and classical archaeology in Münster, Amsterdam, and Bonn. In 2009 he completed his doctoral thesis “Hieronymus Bosch: Malerei als Vision, Lehrbild und Kunstwerk.” His specialist fields are Netherlandish painting of the 15th to the 17th centuries and museology.
Hieronymus Bosch. The Complete Works
Stefan Fischer
Hardcover with 2 fold-outs and ribbon bookmark, 29 x 39.5 cm, 300 pages, in cardboard box with handle
ISBN 978-3-8365-2629-6
Edition: English
ISBN 978-3-8365-2630-2
Edition: French
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