这是第一本将“可穿戴艺术”(art to wear)也称作“可穿戴艺术”(wearable art)的出版物,它是一个独立的美国运动,反映了20世纪60年代末和70年代一代人的文化、政治、社会和精神关切。他们主要接受美术培训,采用了非传统的形式、材料,以及以身体为电枢创作作品的技巧。总的来说,这些从业者对艺术创作和教育产生了重大但未被充分认识的影响。今天,他们的传统仍在年轻艺术家中延续,
丰富的档案和新委托的摄影作品使超过75位艺术家的独一无二的作品栩栩如生,这些艺术家包括加萨·鲍恩、让·卡奇多、玛丽安·克莱登、本·康普顿、玛丽卡·康托帕斯、尼基·希茨·埃德森、蒂姆·哈丁、沙伦·赫奇斯、安娜·丽莎·赫德斯特罗姆、尼娜·薇薇安·胡林、惠特尼·肯特、伊娜·科泽尔、苏珊娜·刘易斯、珍妮特·利普金、K.李·曼纽尔、,琳达·门德尔森、诺玛·明科维茨、安娜·娃·波尔斯尼、黛布拉·拉波波特、马里奥·里沃利、迪娜·克纳普、琼·施泰纳、阿琳·斯蒂梅尔、杰米·萨默斯、乔伦·特里林和凯瑟琳·韦斯特法尔。Off the Wall详细介绍了1967年至1997年间的服装艺术,并通过将其与这一时期从纤维艺术到绘画的艺术发展联系起来,阐明了这一运动的起源。 This is the first publication to consider art to wear, also known as wearable art, as a discrete American movement that mirrored the cultural, political, social, and spiritual concerns of a generation that came of age in the late 1960s and 1970s. Trained primarily in the fine arts, they adopted nontraditional forms, materials, and techniques to create works using the body as an armature. Collectively, these practitioners have had a significant but underrecognized impact on art making and education. Their legacy continues today among younger artists who have embraced multimedia forms of expression.
Rich archival and newly commissioned photography bring to life one-of-a-kind work by more than 75 artists, including Gaza Bowen, Jean Cacicedo, Marian Clayden, Ben Compton, Marika Contompasis, Nicki Hitz Edson, Tim Harding, Sharron Hedges, Ana Lisa Hedstrom, Nina Vivian Huryn, Whitney Kent, Ina Kozel, Susanna Lewis, Janet Lipkin, K. Lee Manuel, Linda Mendelson, Norma Minkowitz, Anna VA Polesny, Debra Rapoport, Mario Rivoli, Dina Knapp, Joan Steiner, Arlene Stimmel, Jamie Summers, JoEllen Trilling, and Katherine Westphal. Off the Wall provides a detailed introduction to art to wear between 1967 and 1997 and elucidates the movement’s origins by linking it to developments in the arts of the period, from fiber art to painting.
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