镜子和倒影,复制品和参考资料:这些都是“沙夫和鲁德尔/羊毛和水”目录背后的指导思想,它伴随着在杜塞尔多夫美术馆举办的同名展览。这句话引用了刘易斯·卡罗尔(Lewis Carroll)的《穿破镜子》(Through The LookingGlass,1871),这本书跟随爱丽丝进入了一个充满双打和镜像的迷人超现实世界。然而,虚构的空间提出了一些具体的问题,涉及到我们在镜子中的相似性及其解释,以及在镜子的虚拟视觉领域中自我的魅力。该节目还探讨了我们社会在镜子中的形象,以及我们对人类的看法开始出现的裂缝。众多国际知名艺术家作品的装置摄影作品,辅以一篇文章,该展览的策展人、杜塞尔多夫(Kunsthalle Düsseldorf)馆长格雷戈·詹森
Mirrors and reflections, duplications and references: these are the guiding ideas behind the catalogue "Schaf und Ruder/Wool and Water," which accompanies the exhibition of the same title at Kunsthalle Düsseldorf. The phrase quotes Lewis Carroll’s "Through the LookingGlass" (1871), which follows Alice into a fascinating and surreal world of doubles and mirror images. Yet the fictional space raises concrete questions concerning our own likeness in the mirror and its interpretation as well as the fascination of the self in the virtual visual realm of the lookingglass. The show also explores our society’s image in the mirror and the cracks that have begun to appear in our vision of the human being. Numerous installation shots of works by internationally renowned artists are complemented by an essay in which the show’s curator and director of Kunsthalle Düsseldorf, Gregor Jansen, offers his own wideranging reflections. With works by Lili Dujourie, Isa Genzken, Astrid Klein, Mischa Kuball, Aron Mehzion, Reinhard Mucha, Sturtevant, Rosemarie Trockel, and Gerhard Richter.
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