Basic Instincts: Love, Lust and Violence in the Art of Joseph Highmore (英语) 基本元素绘画 艺术画册书籍
评论“[基本本能]让约瑟夫·海莫尔走出阴影”（阿波罗）“‘仁慈天使’仍然有震撼力，很遗憾，它讲述了一个非常现代的故事。”（旁观者）“基本本能揭示了高与低之间的共同性。我们并不像我们想象的那样分裂。海莫尔撕开了他那个时代的艺术表面的体面，发现了黑暗。不管职位如何，每个人都有同样的能力去做坏事。不幸的是，正如海莫尔所显示的，女性往往首当其冲地受到这种行为的影响
￥ 265 7.9折 ￥ 335 九五品
仅1件
作者Paul Holberton
出版社Paul Holberton
ISBN9781911300281
出版时间2017-11
印刷时间2017-11
印数1千册
装帧平装
开本16开
纸张铜版纸
页数120页
字数1千字
定价335元
上书时间2020-11-21
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这本引人入胜的书与伦敦弃婴博物馆的展览同时出版，它将重新介绍约瑟夫·海莫尔（1692-1780），一位在他那个时代具有地位和实质的艺术家，现在已经基本上不为人所知。它以海莫尔的小油画《仁慈的天使》（1746）为焦点，这是18世纪英国艺术中最具原创性和争议性的图像之一。这幅画描绘了一个穿着18世纪中期时髦服装的妇女勒死了躺在膝盖上的婴儿。一个披着斗篷、光着脚的人影蜷缩在右边，天使介入，指向远处最近为弃婴建造的避难所弃婴医院。这幅图像试图解决弃婴医院故事中最令人不安的一个方面，这无疑是许多人（现在和当时一样）考虑的超出描述范围的主题。但是，如果说这一时期的任何一位艺术家尝试过这样的主题，那一定是威廉·霍加思，而不是肖像画家约瑟夫·海莫尔？事实上，这幅画被认为是霍加斯的作品，直到20世纪90年代才重新发行。尽管如此，令人惊讶的是，尽管霍格思和17世纪30年代和1740年代的“现代道德主题”有着丰富的学术价值，但直到现在，《仁慈的天使》很少受到关注。这本书（和展览）试图解决这个问题，同时鼓励人们对一位重要但被低估的英国艺术家产生更大的兴趣和欣赏。作者将把这幅非凡的画作置于海莫尔的生活和工作背景中，以及更广泛的历史和艺术背景中。这将包括探索海莫尔肖像画的主要范例，例如他复杂的、具有纪念意义的集体肖像画《埃尔德雷德兰斯洛特·李爵士的家庭》和小规模的“对话”《活力家族》和《艺术家及其家人》，并与重点主题画作了分析，夏甲、以实玛利和帕米拉系列。它们共同解决妇女和儿童的地位和照料、主人/仆人关系、母亲身份、虐待、遗弃、婴儿死亡和谋杀等相关和极具争议的问题。
Published to coincide with an exhibition at the Foundling Museum in London, this fascinating book will re-introduce Joseph Highmore (1692–1780), an artist of status and substance in his day, who is now largely unknown. It takes as its focus Highmore’s small oil painting known as The Angel of Mercy (1746), one of the most original and controversial images in 18th-century British art. The painting depicts a woman in fashionable mid-18th-century dress strangling the infant lying on her lap. A cloaked, barefooted figure cowers to the right as an angel intervenes, pointing towards the Foundling Hospital, the recently built refuge for abandoned infants, in the distance. The image attempts to address one of the most disturbing aspects of the Foundling Hospital story – certainly a subject that many (now as then) would consider beyond depiction. But if any artist of the period had attempted such a subject it would surely be William Hogarth, not the portrait painter Joseph Highmore? In fact, the painting was attributed to Hogarth for almost two centuries, until reattribution in the 1990s. Even so, it is surprising that despite the wealth of scholarship associated with Hogarth and the ‘modern moral subject’ of the 1730s and 1740s, The Angel of Mercy has received little attention until now. The book (and exhibition) seeks to address this, while encouraging greater interest in, and appreciation for, an important but underrated British artist. The author will set this extraordinary painting within the context of Highmore’s life and work, as well as broader historical and artistic contexts. This will include the exploration of prime examples of Highmore’s portraiture, such as his complex, monumental group portrait The Family of Sir Eldred Lancelot Lee and the small-scale ‘conversations’ The Vigor Family and The Artist and his Family, juxtaposed with analysis of key subject paintings, Hagar and Ishmael and the ‘Pamela’ series. Collectively they address relevant and highly contentious issues around the status and care of women and children, master/servant relations, motherhood, abuse, abandonment, infant death and murder.
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