Acts of Transgression: Contemporary Live Art in South Africa (英语) 违法行为：南非当代生活艺术
开普敦大学创意艺术研究所的作家兼研究员卡瑟琳·布勒，在那里她的工作包括在南方发起新的活艺术研究非洲。杰伊Pather是编舞、策展人和学者。他是开普敦大学（UCT）创意艺术研究所所长，也是UCT戏剧、舞蹈和表演研究中心的副教授。
￥ 386 8.3折 ￥ 465 九五品
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作者Wits University Press
出版社Wits University Press
ISBN9781776142798
出版时间2019-04
印刷时间2019-04
印数1千册
装帧精装
开本16开
纸张铜版纸
页数372页
字数1千字
定价465元
上书时间2020-11-08
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15位作家探讨了南非当代活艺术的实验性、跨学科和根本越界的领域，聚焦于广泛的视角、个性和理论关注当代南非社会按时间顺序是“后”种族隔离，但它仍在努力寻求物质补偿，土地再分配和系统性种族主义。越轨行为代表了这一时刻的复杂性，表现艺术形式的丰富潜力超越了学科界限和美学惯例。所有的贡献者，都是行为艺术学科的重要参与者，探讨了它与危机和社会政治动荡的交叉点，身份和归属观念的转变，体现了创伤和损失。对过去的叙述和对未来的憧憬通过记忆和档案被审问，从而动摇了根深蒂固的殖民体系。
集体分析了25多位当代南非艺术家的作品，其中包括Athi Patra Ruga、Mohau Modisakeng、Steven Cohen、Dean Hutton、Mikhael Subotzsky、Tracey Rose和Donna Kukama等，并附有50多张照片的视觉记录。对于那些在戏剧、表演研究和艺术领域工作的人来说，这是一个必须拥有的关于当代南非研究的新兴和令人兴奋的领域的评论文章集。
Fifteen writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa, focusing on a wide range of perspectives, personalities and theoretical concerns
Contemporary South African society is chronologically ‘post’ apartheid, but it continues to grapple with material redress, land redistribution and systemic racism. Acts of Transgression represents the complexity of this moment in the rich potential of a performative art form that transcends disciplinary boundaries and aesthetic conventions. The contributors, who are all significantly involved in the discipline of performance art, probe its intersection with crisis and socio-political turbulence, shifting notions of identity and belonging, embodied trauma and loss. Narratives of the past and visions for the future are interrogated through memory and the archive, thus destabilising entrenched colonial systems.
Collectively analysing the work of more than 25 contemporary South African artists, including Athi-Patra Ruga, Mohau Modisakeng, Steven Cohen, Dean Hutton, Mikhael Subotzsky, Tracey Rose and Donna Kukama, among others, the analysis is accompanied by a visual record of more than 50 photographs. For those working in the fields of theatre, performance studies and art, this is a must-have collection of critical essays on a burgeoning and exciting field of contemporary South African research.
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