Shunqing CAOThe Legitimacy of Comparative Literature and the Variation Studiesof ComparativeLiteratureINVITED ARTICLESWolfgang KUBINCastles, Churches, Common Halls: How to Present Chinese LiteratureAbroadEugene C. EOYANGMacintosh Apples and Mandarin Oranges: Discoue Functio andDysfunctio in Literary ComparisonShaobo XIEWhy Cultural Tralation? Thinking towards a Genuine UnivealismYi ZHENGPoetics of Crisis and Historical Redirection: Guo Moruo's ModemNirvanaVISUAL REPRESENTATION OF GENDERXin ZHANGExile of the Homosexual "Deviant" in Lillian Hellman's TheChildren's HourWenhui HONGMyth of Hegemonic Masculinity: A Study of Donnie Yen's Movie ImagesLingling M1AOA Mirror of Their Own--Representation of the Female Body in Sex andthe CityCOMPARATIVE STUDIES & CULTURAL CRITIQUEXinxin JIANG and Zhan YEOn the Conflict of Memories between Father and Son in JuneteenthYing YEPictorial Portrayal of Black Education in Frank Leslie'sIllustrated Newspap,1866Zheng MAThe Spread and Change of Islamic Sufi in the Modem Western ContextYing L1UA Comparative Analysis of“自由主义” and LiberalismTEACHING & CROSS-CULTURAL PERSPECTIVELian DUANIconology in Teaching Chinese Art and Its InfluenceNOTICE TO CONTRIBUTORS
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