Marisol: A Retrospectiv 马里索尔：回顾展
￥ 329 七五品
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作者Cathleen Chaffee
出版社DelMonico Books
ISBN9781636811017
出版时间2023
装帧精装
纸张铜版纸
页数271页
货号Z6
上书时间2024-06-28
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书后有几页撕破，缺角
21.5x30x3cm
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The most comprehensive volume yet published on the work and legacy of the "forgotten star of Pop art," with previously unpublished materials and new scholarly explorations
In the mid-1960s Marisol was lauded as the female artist of her generation and was proclaimed to be "the only girl artist with glamour" for her fashion sense and "the Latin Garbo" for her apparent exoticism, legendary beauty and famed silences. Thousands lined up to see her remarkable life-size Pop art sculptures early in her career, and her celebrity nearly overshadowed her formidable accomplishments. But this attention would fade following her temporary retreat from the art world in the late 1960s and a shift in her work's subject matter. Her 2016 obituary in the Guardian described her as "the forgotten star of Pop art."
This catalog, the most comprehensive on Marisol’s work ever assembled, accompanies a major traveling retrospective organized by the Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery) that reckons with the entirety of her pioneering, multifaceted, 60-year career. While celebrating her satirical and deceptively political sculptures and self-portraits that helped define the 1960s, the book’s essays also examine her works that embody animal intelligence and allude to environmental precarity, testify to interpersonal violence, engage with the immigrant experience, figure postcolonial disenfranchisement and destabilize sexual norms and gender binaries. Her public sculptures and collaborations with choreographers are examined for the first time. Assessments by leading scholars affirm Marisol’s radical legacy for the 21st century. These exciting reflections are presented alongside full-color reproductions of her works, a robust bibliography, an exhibition history and an illustrated chronology.
Marisol (1930–2016) was born Maria Sol Escobar in Paris to a Venezuelan family. She drew continually and from a young age adopted the name Marisol. Like many of the artists who emerged in the early 1950s, Marisol was at first influenced by Abstract Expressionism, but after seeing pre-Columbian art in Mexico and New York, she began making sculpture in 1954, and soon began focusing on the totemic figures for which she is best known.
迄今为止出版的关于这位“被遗忘的波普艺术之星”的作品和遗产的最全面的一卷，包括之前未出版的材料和新的学术探索
20世纪60年代中期，Marisol被誉为她那一代的女艺术家，并因其时尚感而被誉为“唯一有魅力的女艺术家”，因其明显的异国情调、传奇般的美丽和著名的沉默而被称为“拉丁嘉宝”。在她职业生涯的早期，成千上万的人排队观看她非凡的真人大小的波普艺术雕塑，她的名气几乎盖过了她令人敬畏的成就。但随着她在20世纪60年代末暂时退出艺术界，以及作品主题的转变，这种关注将逐渐消退。她2016年在《卫报》上的讣告将她描述为“被遗忘的流行艺术之星”
这份目录是Marisol有史以来最全面的作品，伴随着布法罗AKG艺术博物馆（前身为奥尔布赖特诺克斯美术馆）组织的一场大型巡回回顾展，回顾了她60年的开创性、多方面的职业生涯。在庆祝她帮助定义20世纪60年代的讽刺和欺骗性的政治雕塑和自画像的同时，这本书的文章还审视了她的作品，这些作品体现了动物智慧，暗示了环境的不稳定，证明了人际暴力，参与了移民经历，描绘了后殖民时代被剥夺选举权的形象，并破坏了性规范和性别二元对立。她的公共雕塑和与编舞家的合作首次被审查。顶尖学者的评估肯定了马里索尔在21世纪的激进遗产。这些令人兴奋的思考与她的作品的全彩复制品、一个强大的参考书目、一个展览历史和一个图解年表一起呈现。
Marisol（1930–2016）出生于巴黎的委内瑞拉家庭Maria Sol Escobar。她不断地画画，从很小的时候起就取了马里索尔这个名字。和20世纪50年代初涌现的许多艺术家一样，Marisol起初受到抽象表现主义的影响，但在墨西哥和纽约看到前哥伦布时期的艺术后，她于1954年开始制作雕塑，并很快开始专注于她最著名的图腾人物。
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