Objects in Exile: Modern Art and Design across Borders, 1930–1960
流放的物体：跨越国界的现代艺术与设计，1930–1960
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作者Robin Schuldenfrei
出版社Princeton University Press
ISBN9780691232669
出版时间2024
装帧精装
纸张铜版纸
页数346页
货号Z6
上书时间2024-06-28
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In the fraught years leading up to World War II, many modern artists and architects emigrated from continental Europe to the United States and Britain. The experience of exile infused their modernist ideas with new urgency and forced them to use certain materials in place of others, modify existing works, and reconsider their approach to design itself. In Objects in Exile, Robin Schuldenfrei reveals how the process of migration was crucial to the development of modernism, charting how modern art and architecture was shaped by the need to constantly face―and transcend―the materiality of things.
Taking readers from the prewar era to the 1960s, Schuldenfrei explores the objects these émigrés brought with them, what they left behind, and the new works they completed in exile. She argues that modernism could only coalesce with the abandonment of national borders in a process of emigration and resettlement, and brings to life the vibrant postwar period when avant-garde ideas came together and emerged as mainstream modernism. Examining works by Walter Gropius, László Moholy-Nagy, Lucia Moholy, Herbert Bayer, Anni and Josef Albers, and others, Schuldenfrei demonstrates the social impact of art objects produced in exile.
Shedding critical light on how the pressures of dislocation irrevocably altered the course of modernism, Objects in Exile shows how artists and designers, forced into exile by circumstances beyond their control, changed in unexpected ways to meet the needs and contexts of an uncertain world.
在第二次世界大战前令人担忧的几年里，许多现代艺术家和建筑师从欧洲大陆移民到美国和英国。流亡的经历给他们的现代主义思想注入了新的紧迫感，迫使他们使用某些材料来代替其他材料，修改现有的作品，并重新考虑他们的设计方法。罗宾·舒尔登弗雷（Robin Schuldenfrei）在《流亡中的物品》（Objects In Exile）一书中揭示了移民过程对现代主义的发展至关重要，描绘了现代艺术和建筑是如何被不断面对和超越事物物质性的需要所塑造的。
舒尔登弗雷带着战前到20世纪60年代的读者，探讨了这些移民带来的物品，他们留下了什么，以及他们在流亡中完成的新作品。她认为，现代主义只能与移民和重新安置过程中对国界的放弃相结合，并使战后充满活力的时期成为现实，当时先锋思想聚集在一起，成为主流现代主义。舒尔登弗雷考察了沃尔特·格罗皮乌斯、拉斯洛·莫霍尔伊·纳吉、露西娅·莫霍尔伊、赫伯特·贝尔、安妮和约瑟夫·阿尔伯斯等人的作品，展示了流亡中产生的艺术品的社会影响。
《流亡物件》揭示了错位的压力如何不可逆转地改变了现代主义的进程，展示了艺术家和设计师如何在无法控制的环境下被迫流亡，以意想不到的方式改变，以满足不确定世界的需求和背景。
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