After the collapse of the Qing dynasty in 1911 and the rise of a vernacular language movement, most scholars and writers declared the classical Chinese poetic tradition to be dead. But how could a longstanding high poetic form simply grind to a halt, even
【作者简介】
Shengqing Wu is Associate Professor of East Asian Languages and Literatures at Wesleyan University.
【目录】
List of Illustrations Acknowledgments Introduction: Ornamental Lyricism Part I A formal feeling comes: poetry of mourning 1 Falling Leaves and Grieving Cicadas: Allegory and the Experience of Loss in Song Lyrics 2 Radical Antiquarianism: Chen Sanli’s Poetic Response to Cultural Crisis Part II The lure of intellectual elegance: poetry as social practice 3 Contested Fengya: Loyalists and Classical Poetry Clubs 4 A Lonely Enterprise: Classical Poetry and New Means of Cultural Production Part III Lighting the modern torch with ancient fire: traveling poetics 5 Re-Feminizing Modern Space: Lü Bicheng and Her Overseas Lyrics 6 “O My Love is Like A Red Red Rose”: Classical Form and Translation Epilogue: Translations of Tradition Bibliography Index
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