• 英语小说与散文
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英语小说与散文

10 5.0折 20 九品

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上海宝山
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作者阿米戈尼 著

出版社上海外语教育出版社

出版时间2009-01

版次1

装帧平装

上书时间2024-05-11

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图书标准信息
  • 作者 阿米戈尼 著
  • 出版社 上海外语教育出版社
  • 出版时间 2009-01
  • 版次 1
  • ISBN 9787544611862
  • 定价 20.00元
  • 装帧 平装
  • 开本 大32开
  • 纸张 胶版纸
  • 页数 172页
  • 字数 193千字
  • 正文语种 英语
  • 丛书 外教社原版文学入门丛书
【内容简介】
  通过分析、解读不同时期的英美文学作品,比较全面、系统地介绍了不同流派的英美小说与散文的起源、发展和演变;《英语小说与散文》同时也涉及相关的文学批评理论。“外教社原版文学入门丛书”以介绍文学理论和小说类型及相应的社会文化背景为主,勾勒出英美文学发展的概貌。
【目录】
Acknowledgements
Preface:thescopeofthebookandhowtoreadit
1Introduction:straightforwarddiscourseandnoveltransactions
1.1Literatureandnon/literature?
1.2Prose
1.3Narrative
1.4Narrativeincontext:thenovel,mimesisandpoetics
1.5Thenovelandprosenarrativeinliterary/criticalargument:formalismandoldandnewhistoricisms
1.6Studyingthenovelandprosenarrative:historicism,cultureandrhetoric
1.7Thenovelandprosenarrative:fromliteraturetointettextuality
1.8Thenovelandprosenarrativeasformsofdiscourse
1.9Thenovelandculturerevisited:cukureaslearning,self,culture,cultureasafieldofconflict

2Theelementsofnarrativeanalysisandtheoriginsofthenovel:readingJaneAustensEmmaandSamuelRichardsonsPamela
2.1Thenovelandformalistcriticism
2.2Readingtheformofnarrativefiction:JaneAustensEmma
2.3Impliedreader,realreader:narrator,impliedauthor
2.4Events:storyanddiscourse
2.5CharacterandpointofviewinEmma
2.6Limitationsoftheformalapproach:socialspacesandvoicesinnarrative,fromfreeindirectspeechtosocialcontexts
2.7WhathappensinRichardsonsPamela.
2.8First,personnarrationandtheepistolaryform:thedramatisednarrator,rhetoricandthenarratee
2.9ThenarrateeandwritingasaneventinPamela
2.10Pamela,printcultureanddebatesaboutgenre:thefamiliarletter,criticismandthenovel
2.11Thedebateabouttheoriginsofthenovel
2.12Theriseofthenovel:IanWattandthetraditionofformalrealism
2.13Contestedfieldsofculturaldiscourseandtheriseofthenovel:LennardJ.DavisandMichaelMcKeon
2.14Genderandtheriseofthenovel:thedomesticwomanandtheproductionofsubjectivities
2.15Re,readingEmma:letters,standardsandintertextualallusion

3Bildungandbelonging:studyingnineteenth.centurynarrativeandself/culture
3.1Thebildungsroman
3.2Biographyandautobiographyinthenineteenthcentury
3.3Theviewpointofyouth:bildunginnineteenth,centuryhistory
3.4ReadingJaneEyre:thecriticalreception;romanceandself,culture
3.5RomanticautobiographyandcharacterclassificationinJaneEyre
3.6Space,timeandsubjectivityinJaneEyre
3.7WheredoesJaneEyrebelong.
3.8ReadingSamuelBamfordsEarlyDays:thecommonnarrativestrategiesofautobiographyandnovel
3.9Realityisalwaysromantic,thoughtheromanticisnotalwaysreal:thetruthofautobiography
3.10ReadingElizabethGaskellsTheLifeofCharlotteBronte:therhetoricofbiography
3.11Biography,genderandthepublicpositionofthewomanwriter:negotiatingrealismandromance
3.12ReadingGeorgeEliotsTheMillontheFloss:cultureasincarnatehistory
3.13Writingthehistoryofunfashionablefamilies:theworkingsofEliotsrealism
3.14Testingself,culture:eddicationandtheroleofthereaderinEliotsrealism

4Innovativestoriesanddistinctivereaders
4.1Theartofprosenarrative
4.2CharlesDickenssBleakHouse:readingtheestrangingpoetryofprose
4.3Readingincontext:journalismandfiction
4.4Nuggetsforthemasses:newspaperstories
4.5Readingthesacrednugget:distinctivenarrativeartinJamessTheSpoilsofPoyntonanditsPreface
4.6Jamessnarrationandthediscriminatingreader
4.7ContestingTheFutureoftheNovel:HenryJamessdelicateorganismandH.G.Wellssrighttoroam
4.8ReadingH.G.WellssAnnVeronica
4.9Theshortstory
4.10ThomasHardysTheWitheredArm:theepicaltale
4.11KatherineMansfieldsTheGardenParty:thelyricalstory
4.12Theexperimentalnovel:readingforvoiceandconsciousnessinVirginiaWoolfsMrsDalloway
4.13ThenovelisticscopeofMrsDalloway
4.14Woolfsnarrativeexperimentationincontext

5History,intertextualityandthecarnivalisednovel:postmodernconditionsandpostcolonialhybridities
5.1Playfulnarratives
5.2Thenovelashistory,andthepostmodernnovelasmetafiction
5.3MidnightsChildrenaspostmodernhistoriographicmetafiction:sniffyincredulitytowardsmetanarratives
5.4Thenovelasnationalfiction:postcolonialconcerns
5.5ThediscourseofMidnightsChildreninlongcross,culturalhistory:LaurenceSternesTristramShandyaseighteenth,centurymetafiction
5.6Bakhtinscarnivalisednarrative:asecondlineofdevelopmentforthenovel
5.7Camivalisednarrative,postcolonialismandthedebateabouthybridity:MidnightsChildrenrevisked
5.8Conclusion:longlivepostcolonialrealism,thebildungsromanandleakage
SelectbibliographyandsuggestedfurtherreadingIndex
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