文化唯物主义(外语学科核心话题前沿研究文库.外国文学研究核心话题系列丛书)

图书标准信息

• 作者 赵国新；袁方
• 出版社 外语教学与研究出版社
• 出版时间 2019-12
• 版次 1
• ISBN 9787521313727
• 定价 51.90元
• 装帧 其他
• 开本 16开
• 纸张 胶版纸

【内容简介】

《文化唯物主义》个各章节的内容安排如下：“思想渊源与历史”这一部分主要交代了文化唯物主义批评得以产生的社会历史背景，着重探讨了它和细绎派批评、历史主义批评以及西方马克思主义理论之间的复杂关系，并且比较分析了它和美国的新历史主义批评之间的异同；“文化唯物主义批评（一）：艾伦·辛菲尔德”和“文化唯物主义批评（二）：乔纳森·多利莫尔”这两部分分别阐述了英国文化唯物主义的两位*有代表性的人物在文艺复兴文学、莎士比亚研究领域内的批评建树，并以他们的实际研究为案例，展示了他们具体的批评手法；“《芭巴拉少校》的文化唯物主义分析”这一部分，以萧伯纳的名剧为研究对象，运用唯物主义常用的批评策略，发掘出剧中的颠覆性因素，揭示出文本的内在矛盾，并结合具体的历史语境，解释其成因；“新历史主义视角下的《艰难时世》”这一部分，探讨了这部名著与功利主义的复杂关系，反驳了一些研究者对它的误读，发掘出文本中不易为人觉察的矛盾，揭示出这些颠覆性因素*终如何遭到遏制。

【作者简介】

赵国新，北京外国语大学教授，博士生导师，外国文学研究所研究员。主要研究方向为现代西方文学理论与批评、西方马克思主义文学理论与批评。袁方，外国文学研究所研究员。

【目录】

 

总序

················································································· 张 剑 viii

前言

················································································· 赵国新 xvii

第一章 思想渊源与历史 1

1.1 英国新左派

···········································································1

1.1.1 新左派的思想建树

····················································7

1.1.2 老一代新左派

·························································12

1.1.3 新一代新左派

·························································15

1.1.4 新左派的衰落

·························································22

1.2 从历史主义到西方马克思主

义·············································25

1.2.1 蒂利亚德的历史主义批评

·······································27

1.2.2 细绎派的道德形式主义

···········································30

1.2.3 威廉斯

····································································34

1.2.4 阿尔都塞

································································38

1.2.5 葛兰西

····································································40

1.2.6 汉尼曼与布莱希特

··················································41

1.3 新历史主义与文化唯物主义

················································49

1.3.1 格林布拉特

·····························································57

1.3.2 文化唯物主义与新历史主义之异同 ·························61

第二章 文化唯物主义批评（一）：艾伦·辛菲尔德 64

2.1 文艺复兴时期的文学及莎士比亚研究

··································68

2.2 文化唯物主义研究的转向

····················································71

2.3 批评案例（一）

····································································80

2.4 批评案例（二）

····································································84

第三章 文化唯物主义批评（二）：乔纳森·多利莫尔 92

3.1 文艺复兴时期的戏剧与同性恋研究

·····································95

3.2 批评案例（三）

··································································103

第四章 《芭巴拉少校》的文化唯物主义分析 114

4.1 主题与内在矛盾

································································120

4.2 安德谢夫的原型与形象

·····················································124

4.3 英国社会各阶级分析

·························································130

4.3.1 英国贵族阶级的没落

············································132

4.3.2 不合格的接班人

···················································137

4.4 英国工业资本主义衰落的文化起因说

································140

第五章 新历史主义视角下的《艰难时世》 145

5.1 工业小说中的异类

····························································147

5.2 边沁式功利主义与《艰难时世》

·········································150

5.2.1 先期批判

······························································155

5.2.2 功利主义在小说中的体现

·····································158

5.3 约翰·斯图亚特·穆勒与功利主义

····································166

5.4 文本内部的三对矛盾

·························································170

结语 180

参考文献

.........................................................................................184

推荐文献

.........................................................................................191

索引

...............................................................................................192