正版现货新书 哥特小说创作传统及其影响研究 9787301374979 李伟昉著
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￥ 74.77 5.8折 ￥ 128 全新
库存40件
北京丰台
作者李伟昉著
出版社北京大学出版社
ISBN9787301374979
出版时间2026-07
装帧平装
开本23cm
定价128元
货号202157967
上书时间2026-08-26
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作者简介
李伟昉，河南大学二级教授，河南大学学报编辑部主任、主编，出版学术专著11部，译著1部，主编教材《比较文学》入选“十四五”国家级规划教材，获省部级教学科研奖励13项，在《中国社会科学》《文学评论》《外国文学评论》等重要学术期刊发表论文多篇。
目录
引 论······················································································ 1第一节 何为哥特传统···························································· 2第二节 关于哥特小说的形成与发展······································· 10第三节 国内外哥特小说研究概况·········································· 16第四节 创新价值和重要观点················································ 32第五节 中国比较文学跨文化差异研究的基本立场 ······················37第六节 实证方法与审美批评有机融合 ·····································44第一章 英国哥特小说发生学研究············································· 48第一节 社会与思想基础······················································· 48第二节 古希腊罗马文学传统················································ 52第三节 基督教文化传统······················································· 59第四节 英国文学传统·························································· 75第二章 哥特小说：英国民族意识勃兴的文化符码······················ 80第一节 英国民族意识的萌芽与哥特小说的背景························ 80第二节 城堡、身份与焦虑··················································· 86第三节 传统、先锋与同一··················································· 91第三章 莎士比亚作为“哥特诗人”的形成及其文化意义············ 97第一节 莎士比亚：“哥特诗人”的形成与哥特小说创作·············· 98第二节 莎士比亚：文学批评中的“哥特诗人”及其文化意义····· 105第三节 民族主义与世界主义张力下的“哥特诗人”··················· 113第四章 哥特小说中的阶级、性别与政体·································· 116第一节 命运恐怖与阶级······················································ 117第二节 权力崇高与政体······················································ 121第三节 乱伦暗恐与性别秩序··············································· 125第五章 司各特历史小说与哥特小说········································· 130第一节 司各特的历史小说创作············································ 131第二节 隐藏于黑色背景下的历史回应··································· 136第三节 司各特小说对哥特小说黑色情节的继承······················· 141第六章 哥特小说与浪漫主义文学············································ 152第一节 哥特小说与浪漫主义文学的关系································ 152第二节 华兹华斯对哥特艺术的双重态度································ 166第七章 德国文学的哥特传统·················································· 178第一节 歌德、席勒与哥特小说············································ 179第二节 霍夫曼与哥特小说·················································· 184第三节 现实主义作家与哥特传统········································· 192第四节 现代派作家与哥特传统············································ 196第八章 法国文学的哥特传统·················································· 200第一节 哥特小说在法国的接受············································ 200第二节 法国哥特小说的政治色彩及盛行原因·························· 203第三节 法国哥特小说的“内倾性”特征································ 209第四节 乔治·桑与哥特小说··············································· 215第五节 超现实主义：承上启下的文学流派····························· 248第九章 美国文学的哥特传统·················································· 261第一节 从模仿到改创························································· 261第二节 欧文与哥特小说······················································ 266第三节 爱伦·坡与哥特小说··············································· 269第四节 霍桑与哥特小说······················································ 273第五节 哥特小说的扩展与延伸············································ 276第十章 拉美魔幻现实主义小说与哥特小说······························· 283第一节 黑色艺术的影响与接受············································ 288第二节 思想的共鸣与表达的差异·································
内容摘要
本书将哥特小说置于西方文学文化发展史的宏大叙事传统中，力求从比较视域整体审视其文学传统的渊源、形成与流变，细致梳理和客观评价欧美哥特小说创作传统及其文化意蕴、世界性影响，探寻其在政治、文化、人性、生存本质等层面的普遍性价值，为丰富国内现有西方文学史著述的既有内容提供新视角，旨在建构更加完整、立体、多彩、互动、也更加切合实际的西方文学文化观念。重视哥特传统，有助于全面把握和深入体悟西方文学文化的完整性。
主编推荐
哥特小说多以中世纪的城堡、修道院、废墟或荒野为背景，描写由于满足个人情欲或争夺财产而引起的迫害、谋杀等笼罩着神秘恐怖气氛、具有怪诞紧张情节的不寻常的故事。在这种小说里，“一切都被夸大到惊世骇俗的地步”，“容不得任何中间的、寻常的、平凡的、一般的东西”[2]，因此又被称为“黑色小说”。它深刻地影响了后来欧美国家以及拉丁美洲小说创作的发展历史，形成了独特的绵延不绝的“哥特传统”。
精彩内容
本著作将哥特小说这一独特的文学现象置于西方文学和文化发展史的大叙事传统背景下，主要运用比较文学影响研究等方法，首次集中、深入、系统地梳理并探讨了其文学创作传统的渊源、形成、传播、流变、意蕴及其世界性影响与贡献，旨在丰富国内西方文学史的既有内容，帮助读者建立一个更加完整的西方文学文化观念，既可以加强对哥特小说内涵的深入理解，又能拓展对西方文学文化传统的全面观照。哥特传统已然构成西方文学文化的一种常态，深刻表现了对传统理性主义的颠覆，凸显了世界的荒诞性和人性的复杂性，内在地折射出渴望在人类文明危机的困境中突围的思想深度。该著的一大特色在于，不再局限于英国哥特小说的探讨，突破了狭隘的文学史断面研究和零碎散乱的具体作品研究模式，全方位展示了哥特小说在英国、德国、法国、美国、拉丁美洲等国家和区域的传播轨迹及其文学文化价值意涵。
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