伯里曼人体结构绘画教程（导学版）

图书标准信息

• 作者 George Brandt Bridgman(乔治·伯里曼
• 出版社 电子工业出版社
• 出版时间 2022-09
• 版次 1
• ISBN 9787121438295
• 定价 98.00元
• 装帧 其他
• 开本 12开
• 纸张 胶版纸
• 页数 304页

【内容简介】

伯里曼撰写的、在20世纪四五十年代已经传入中国的以图像学的方法解释人体造型，并用几何图形的穿插方式讲解复杂的人体结构、榫合关系的艺用人体结构教程，无疑是不可替代的最深刻、 通俗、简明的经典绘画理论技法书。
  本书并不囿于原书的格式，中国美术学院教授蒋跃将自己从学生时代便开始研读伯里曼图书的个人研读的心得体会，以及在中国美术学院 30 余年的教学体会，融入每页插图的讲解之中，针对中国的初学者将内容打散后彻底重新编写为“导学版”， 形成真正的经典中的经典。

【作者简介】

乔治·伯里曼全名为乔治·勃兰特·伯里曼（George Brandt Bridgman，1865-1943），加拿大裔美国画家，在纽约大学艺术学院任教45年，教授解剖学和人体绘画课，是一位才华横溢的讲师和导师。伯里曼将复杂的人体结构简化为方块和线条的组合，以表现肌肉和骨骼在运动中的变化。他编写的Bridgman\'s Complete Guide to Drawing From Life，汇集了毕生的研究成果和教学经验，被公认为经典的艺用人体结构教程。

蒋跃，中国美术学院教授、中国水彩画家协会秘书长、浙江美术家协会主席团成员、副秘书长、浙江水彩画家协会副会长、《美术报》原副社长。多幅作品被俄罗斯政府、挪威使馆、中国国家文化部等收藏。

成辉，毕业于中国美术学院。2009年大学期间创办了杭州光艺画室， 2012年毕业后开始主编一线教学系列图书，包括《画考题静物照片书》《画考题头像照片书》等 ，并策划《杭州风景》 《国艺兄弟》等书。2013年主编“一线教学步步精心”系列丛书，目前累计出版艺术类图书100余种，产生较广的社会效应。

【目录】

目录|contents 

第一章 概论 ···················.001 

第二章 导读 ··················.002 

第三章 人体绘画方法 ··················.004 

第一节 测量 ······················.005 

第二节 人体比例 ·············.007 

第三节 绘制人体轮廓的步骤 ············.010 

第四章 人体的基本体块 ···············.012 

第一节 体块分布 ·················.013 

第二节 人体的体积造型 ···········.018 

第三节 人体线形与形体变化 ···········.020 

第四节 人体的三大体块 ···············.022 

第五节 人体的楔入、穿插和咬合关系 ··········.027 

第六节 光影与人体的关系 ·············.035 

第五章 人体运动时的美感··············040 

第一节 人体动态平衡 ····················.041 

第二节 人体动态节奏与韵律 ··············.044 

第三节 人体动态旋转和扭动 ···········.047 

第六章 头部··················052 

第一节 头骨 ················.052 

第二节 肌肉 ··············.056 

第三节 头部的比例 ············.057 

第四节 头部的绘画步骤 ···················.060 第 

五节 头部的构造 ······················.061 

第六节 头部各体块的分布 ··················.065 

第七节 头部的形体和面 ···················.069 

第八节 头部的立方体结构 ··················.074 

第九节 头部的透视 ····················.077 

第十节 下颌 ·······················.086 

第十一节 脸部表情 ····················.089 

第十二节 头部的光影 ···················.091 

第七章 五官 ·······················.094 

第一节 眼睛 ···················.095 

第二节 耳朵 ·····················.097 

第三节 鼻子 ·······················.099 

第四节 嘴 ·····················.103 

第八章 颈部 ····················.106 

第一节 颈部的作用 ··············.108 

第二节 颈部的肌肉 ·················.109 

第三节 颈部的运动 ·················.110 

第四节 颈部的正视 ···················111 

第五节 颈部的侧视 ··················.113 

第六节 颈部的背视 ··················.114 

第九章 躯干 ······················.116 

第一节 躯干的骨骼 ·····················118 

第二节 躯干的肌肉 ···················.119 

第三节 躯干正面结构 ···················121 

第四节 躯干侧面结构 ···················126 

第五节 躯干背面结构 ····················131 

第六节 躯干和臀部 ·····················136 

第七节 肩胛带 ·······················138 

第八节 三角肌 ······················.144 

第十章 手臂 ·······················.147 

第一节 手臂骨骼 ······················148 

第二节 手臂肌肉 ······················.149 

第三节 上臂 ·························154 

第四节 前臂 ························.162 

第五节 肘部 ························.174 

第六节 腋窝 ·························178 

第十一章 手 ·························179 

第一节 手的构造和表现 ····················181 

第二节 手腕和手 ······················.185 

第三节 手臂和手 ·······················.190 

第四节 手背和手掌 ······················.191 

第五节 手指 ·························.199 

第六节 手指的侧面结构与造型 ···················218 

第七节 拳头 ··························.225 

第八节 婴儿的手 ·······················.229 

第十二章 髋部 ···························230 

第一节 髋部的结构 ·····················.230 

第二节 髋部的机理 ······················.234 

第三节 髋部的活动规律 ·····················.235 

第十三章 下肢 ···························237 

第一节 下肢的骨骼与肌肉 ·························.239 

第二节 大腿 ····················.247 

第三节 小腿 ·························252 

第四节 膝部的结构与活动规律 ···················.254 

第十四章 足部 ···························260 

第一节 足部的骨骼与肌肉 ·························.261 

第二节 足弓 ··························.262 

第三节 足部运动机理 ···············.263 

第四节 外展和内收 ····················.264 

第五节 足部的内侧面与外侧面 ···················.265 

第六节 足部的正面 ························.267 

第七节 脚趾 ································.269 

第十五章 着装 ···························272 

第一节 人体着装动态造型 ·························.273 

第二节 人体着装形态的构成 ······················.274 

第三节 形体与着装 ··························.276 

第四节 褶皱的种类 ··························.282 

第五节 形体的表现 ·························.297 

第六节 褶皱的韵律 ························.298