Gerhard Richter Panorama A Retrospective 里希特抽象艺术绘画 正版 抽象画册
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作者Richter
出版社First Edition
出版时间2001-06
装帧精装
上书时间2025-01-07
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Hardcover: 288页
出版社: D.A.P./Tate; First Edition (2011年10月31日)
语种： English
ISBN-10: 1935202715
ISBN-13: 978-1935202714
产品尺寸及重量: 26 x 2.5 x 29.8 cm
发表于里希特在泰特的主要展览，格哈德里希特：全景是第一次和最完整的概述，我们的时代最伟大的艺术成就之一。以前的专著都集中在艺术家大量作品中的一种类型上，而现在这幅图文并茂的作品涵盖了他所有的作品，涵盖了半个多世纪的活动，包括照片绘画、摘要、风景和海景、肖像、玻璃和镜子作品、雕塑，图纸和照片。因此，它是里希特迄今为止巨大成就的最终写照。除了他著名的抽象画、早期的黑白画和蜡烛、头骨和云彩的照片写真，这些都已成为现代绘画无可争议的标志，全景画还包括近30幅过去十年创作的新画、大量的比较作品、摄影棚照片，档案图片和尼古拉斯·塞洛塔对艺术家的实质性采访。这本具有里程碑意义的出版物是对世界上最著名的在世艺术家之一的恰当致敬。
1932年生于东德德累斯顿的格哈德·里希特1961年移居西德，定居杜塞尔多夫，在杜塞尔多夫学院学习，1963年在那里举办了第一次个人画展。在这十年中，里希特帮助把绘画从社会主义现实主义（东德）和抽象表现主义（西德和整个欧洲）的遗产中解放出来。在过去的五十年里，他一直在国际上展出，并在纽约、巴黎和杜塞尔多夫进行了回顾。他在科隆生活和工作。
回顾
里希特在各种各样的媒介中使用图像和抽象，如玻璃装置、绘画和摄影，以提供对世界、物体和填充世界的人的冥想。（格雷格·霍顿艺术台）
这个展览目录——从开幕式Q到泰特美术馆馆长尼古拉斯·塞罗塔和拉科尼画家之间的A，再到六篇按时间顺序排列的散文——是必不可少的。（埃里克·布莱恩特艺术+拍卖）
发表于里希特在泰特的主要展览，格哈德里希特：全景是第一次和最完整的概述，我们的时代最伟大的艺术成就之一。以前的专著都集中在艺术家大量作品中的一种类型上，而现在这幅图文并茂的作品涵盖了他所有的作品，涵盖了半个多世纪的活动，包括照片绘画、摘要、风景和海景、肖像、玻璃和镜子作品、雕塑，图纸和照片。因此，它是里希特迄今为止巨大成就的最终写照。（纽约时报记者丹娜·詹宁斯）
就在他80岁生日到来之际，这位杰出的德国艺术家将在伦敦泰特现代艺术馆（Tate Modern）看到他令人目眩的半个世纪的电力输出。。。如果有一个节目值得一游的话，那就是这个，但是如果你做不到的话，那就选一本相关的专著。（详细信息）
Published on the occasion of Richter's major exhibition at the Tate, Gerhard Richter: Panorama is the first and most complete overview of one of the greatest artistic achievements of our times. Where previous monographs have focused on a single genre within the artist's vast output, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity, including photo-paintings, abstracts, landscapes and seascapes, portraits, glass and mirror works, sculptures, drawings and photographs. It therefore stands as the definitive portrait of Richter's colossal accomplishment to date. Alongside his celebrated abstractions, early black-and-white paintings and the photorealist depictions of candles, skulls and clouds that have become indisputable icons of modern painting, Panorama includes nearly 30 new paintings made over the past ten years, extensive comparative works, studio photographs, archival images and a substantial interview with the artist conducted by Nicholas Serota. This landmark publication is a fitting tribute to one of the world's most celebrated living artists.
Born in Dresden, East Germany, in 1932, Gerhard Richter migrated to West Germany in 1961, settling in Düsseldorf, where he studied at the Düsseldorf Academy, and where he held his first solo exhibition in 1963. Over the course of that decade, Richter helped to liberate painting from the legacy of Socialist Realism (in Eastern Germany) and Abstract Expressionism (in Western Germany and throughout Europe). He has exhibited internationally for the last five decades, with retrospectives in New York, Paris and Düsseldorf. He lives and works in Cologne.
Review
Richter uses image and abstraction in mediums as diverse as glass installations, painting, and photography to offer meditations on the world and the objects and people who fill it. (Greg Horton Artdesk)
This exhibition catalogue- from its opening Q and A between Tate director Nicholas Serota and the laconic painter through half a dozen chronological essays- is indispensable. (Eric Bryant Art + Auction)
Published on the occasion of Richter's major exhibition at the Tate, Gerhard Richter: Panorama is the first and most complete overview of one of the greatest artistic achievements of our times. Where previous monographs have focused on a single genre within the artist's vast output, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity, including photo-paintings, abstracts, landscapes and seascapes, portraits, glass and mirror works, sculptures, drawings and photographs. It therefore stands as the definitive portrait of Richter's colossal accomplishment to date. (Dana Jennings The New York Times)
Just in time for his 80th birthday, the illustrious German artist will see a half-century of his dizzyingly electric output shown at London's Tate Modern... If ever a show was worth traveling for, it's this one, but if you can't make it, pick up the accompanying monograph. (Details)
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