Ph.D., University of Chicago B.A., Princeton University
Although I teach broadly across the field of Renaissance literature, my primary intellectual concern is with the relations of literature and history in early modern England, considered from a variety of perspectives. Increasingly this interest has focused on the production, transmission, and reception of texts (a focus that I like to think of as “the new boredom”). I am one of the general editors of the Arden Shakespeare, for which I edited 1 Henry IV, and I have edited Milton’s Paradise Lost and Marlowe’s Doctor Faustus (A and B text) for other publishers. Among my publications are Shakespeare after Theory and Shakespeare and the Book. A new book, A Will to Believe: Shakespeare and Religion was published early in 2014 by Oxford University Press. I am presently working on two new projects: a book with the painter Stephen Farthing, entitled Living Color: A History to be published by Yale, and a history of the book in 15 micro-histories to be called Book Cases for Princeton University Press.
SELECTED PUBLICATIONS:
–A Will to Believe: Shakespeare and Religion. OUP, 2014
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