"It seemed to me as if I heard the voice of God ..." - this remark by Salieri in the film "Amadeus" about the "Gran Partita" describes quite well the shivers that Mozart's wind music is capable of evoking. In addition to the well-known pieces, this collection of the complete chamber music works for wind instruments takes us deeper into the world of harmony music and the serenade, the partita or the nocturne. Were these works, written mainly in Mozart's middle Salzburg and early Vienna years, intended for the princely table or as nocturnal outdoor music? In any case, the secular designation "Divertimento" mostly comes from father Leopold, while the music of son Wolfgang Amadé seems to come directly from heaven
The new recording "made in Salzburg" bears the Mozarteum's seal of quality: the ensemble is made up of graduates or teachers from the world-famous university and brings together musicians from leading orchestras as well as soloists and international prize winners. The historic horns, trumpets and timpani, some of which are used, create a delightful mixed sound in harmony with modern instruments. The recording also takes into account the fragmentary works that have survived, as well as the pieces that have not been secured but are very likely to have been written by Mozart. A detailed essay by Dr. Ulrich Leisinger of the Mozarteum illuminates the background of this enchanting music.
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