前言
PrefaceA snuff bottle, as a snuff container, represents a unique variety of China’s ancient cultural relics. It first appeared in the royal court in the Emperor Kangxi Period (1661–1722) of the Qing Dynasty (1644–1911), became popular in the capital, and influenced the entire nation. It was made by large quantities in the royal and civil works. This was closely associated with the prevailing customs of taking snuff, and also related to the vigorous advocacy and participation of the emperors. Snuff bottles have become valuable artistic works appreciated, collected by people, although they were initially practical items.There is a legend about the appearance of snuff. In the middle of the 16th century, a European tobacco merchant ailed from a heavy stock that mildewed and deteriorated because of poor operation. While feeling desperate about the tobacco that piled up, the merchant smelled an unusual smell with his nose from the tobacco that mildewed. The smell was so unique and fascinating that he couldn’t help but breathing it with greed, and had an unprecedented experience. Enjoying this special taste, the merchant thought of another way to make a fortune. Shortly after that, the tobacco merchant, who almost went bankrupt, announced he had invented a new tobacco—snuff. Since then, people no longer needed to light cigarettes with fire, and no longer annoyed others because of dense smoke. This was one of the stories about how snuff came into being. Although it is impossible to judge whether this story is true or not, this story itself does make sense.In reality, to make true snuff, the first step is to grind superior tobacco into extremely fine powder, then flavor and precious medical materials such as muskiness are added to the powder, and finally the mixture is fine processed and sealed in wax balls for aging in several years before normal use. After aging in wax balls for several and even tens of years, snuff will have multiple colors like black purple, dark yellow and light yellow, and smell mellow and acrid. Specifically, there are mainly five smells—acid, smell of mutton, paste, soy and sweet. Sometimes, a snuff may have several smells, and acridity is the best. However, even an acrid snuff offers limitless mellowness after acridity.Just as American natives invented the tobacco lighted with fire to mitigate the fatigue of labor, Europeans or Chinese favored snuff, possibly because of its special functions needed by people. These functions mainly include several aspects: First, to refresh oneself and strike the eye; second, to prevent disease; third, to relax oneself and activate blood; fourth, to contain the social meanings like friendship, harmony and respect; and finally, to act as a token used to offer sacrifice to gods, Buddha and ancestors.According to the mainstream opinion, Matteo Ricci (1552–1610), an Italian missionary, came to China in the Emperor Wanli Period (1573–1620) of the Ming Dynasty (1368–1644) . He landed in Guangdong and traveled northwards to visit the emperor in Beijing. He offered his Italian snuff to the officials he met on the way, and also gave some precious snuff to the emperor. Fond of the snuff at the first glance, Emperor Wanli (Zhu Yijun, 1563–1620) highly praised Matteo Ricci, and offered him a high rank. This was known by some other Western envoys. Then, snuff became the best gift for Chinese emperors and local officials, and the habit of smelling snuff also spread quickly in China.Snuff bottles, small but exquisite, are favored because of both changeable moldings and colorful patterns. At the same time, their delicate packages are also fascinating. A snuff bottle is composed of a bottle, a bottle lid, a bottle spoon, a snuff plate and a package. Besides special appreciation, people used snuff bottles almost in the same way, and smelled snuff in unique manners. Some emptied a little snuff and then used a thin pipe to smell it; some poured snuff on the prominence of the thumb, then coated it to the noses and smelled it with force; and some in pursuit of taste fetched some snuff out of the snuff bottle, put it on a special snuff plate, then held the snuff plate with one hand, dipped some bottle with the thumb of the other hand, put the snuff near the noses and took it forcefully. After taking in the snuff, people would close their eyes to enjoy the snuff, then sneeze with relaxation and recall the large charge.The texture of the bottle lid could match the snuff bottle itself. Bottle lids feature rich texture and fine workmanship. The most common and also the most standard bottle lid is the gold plated copper lid with carved flower.......
导语摘要
清代鼻烟壶是中西文化交融的结晶,玲珑之态让人爱不释手,鼻烟壶的发展贯穿整个清朝历史,真实地浓缩了中国的传统文化,小小鼻烟壶,集历代文化艺术精华于一炉,没有一项中国艺术工艺中能集这么多工艺变化于一身,近年来,鼻烟壶的投资和集藏价值不断攀升,引起国外朋友的浓厚兴趣。本书向外国读者介绍有关清代鼻烟壶的知识,引导读者欣赏种类繁多的清代鼻烟壶,并从中得到一种美的享受,具有一定的收藏价值。本画册资料丰富,图片精美,书中所有展品均藏于北京故宫博物院。
A snuff bottle, as a snuff container, represents a unique variety of China s ancient cultural relics. It first appeared in the royal court in the Emperor Kangxi Period (1661-1722) of the Qing Dynasty (1644-1911), became popular in the capital, and influenced the entire nation. It was made by large quantities in the royal and civil works. This book introduces the qing dynasty snuff bottle.
Asnuff bottle, as asnuff container, represents a unique variety of China s ancientcultural relics. It first appeared in the royal court in theEmperor Kangxi Period (1661-1722) of the Qing Dynasty (1644-1911),became popular in the capital, and influenced the entire nation. Itwas made by large quantities in the royal and civil works.
This book introduces the qing dynasty snuffbottle.
作者简介
Zhang
Rong, born in 1963, graduated from the Department of History of
Nankai University, majoring in museums. She has been working for
the Palace Museum in Beijing since 1985, and once served as deputy
director of the Palace Department, and director of the Ancient
Objects Department. She holds the academic title of research
fellow.
Major works published: Models of Ancient
Lacquerwork and Appreciation, Snuff Bottles--Cultural Relics in
Palm and Ancient Lacquerwrok.
目录
Preface
Glass snuff bottles
Enameled Metal Bodu Snuff Bottles
Jade Snuff Bottles
Porcelain Snuff Bottles
Snuff Bottles Made of Other Materials
Internally Drawn Snuff Bottles
A Record of Auction of Collections
Catalogue of Snuff.Bottle Materials
内容摘要
清代鼻烟壶是中西文化交融的结晶,玲珑之态让人爱不释手,鼻烟壶的发展贯穿整个清朝历史,真实地浓缩了中国的传统文化,小小鼻烟壶,集历代文化艺术精华于一炉,没有一项中国艺术工艺中能集这么多工艺变化于一身,近年来,鼻烟壶的投资和集藏价值不断攀升,引起国外朋友的浓厚兴趣。本书向外国读者介绍有关清代鼻烟壶的知识,引导读者欣赏种类繁多的清代鼻烟壶,并从中得到一种美的享受,具有一定的收藏价值。本画册资料丰富,图片精美,书中所有展品均藏于北京故宫博物院。
A snuff bottle, as a snuff container, represents a unique variety of China s ancient cultural relics. It first appeared in the royal court in the Emperor Kangxi Period (1661-1722) of the Qing Dynasty (1644-1911), became popular in the capital, and influenced the entire nation. It was made by large quantities in the royal and civil works. This book introduces the qing dynasty snuff bottle.
Asnuff bottle, as a
snuff container, represents a unique variety of China s ancient
cultural relics. It first appeared in the royal court in the
Emperor Kangxi Period (1661-1722) of the Qing Dynasty (1644-1911),
became popular in the capital, and influenced the entire nation. It
was made by large quantities in the royal and civil works.
This book introduces the qing dynasty snuff
bottle.
主编推荐
ZhangRong, born in 1963, graduated from the Department of History ofNankai University, majoring in museums. She has been working forthe Palace Museum in Beijing since 1985, and once served as deputydirector of the Palace Department, and director of the AncientObjects Department. She holds the academic title of researchfellow.
Major works published: Models of AncientLacquerwork and Appreciation, Snuff Bottles--Cultural Relics inPalm and Ancient Lacquerwrok.
精彩内容
Glass snuff bottlesGlass snuff bottles are produced using various technology means. Glass snuff bottles of the Qing Dynasty are characterized by the earliest fabrication time, the longest duration time, the largest number and the richest technology varieties. From the aspects of kinds and processing technologies of glass snuff bottles, we can have a view on the entire development path of glass making in the Qing Dynasty.The places where glass can be fired mainly included the glass plant of the Palace Construction Section, Yanshen Town of Shandong Province (later known as Boshan), Guangzhou, Suzhou and Beijing and so on. In the 35th year of the Kangxi Period (1696), the royal glass plant was set up, attached to the Construction Section of the Royal Household Bureau. In the reign of Yongzheng, a branch was set up in the Summer Palace. After the establishment of the glass plant, many craftsmen were recruited from such places as Guangzhou and Shandong, etc.According to records, in the reign of Emperor Kangxi, there was glass of being black, green, white, purple and grape colored, etc., but with no record of snuff bottles, letting alone the real objects. While in the reign of Emperor Yongzheng, there wer
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